Essay “What’s Done is Done”: The Shift from Ambition to Numbness in 2015’s Macbeth Adam Page March 19, 2026
Review Tehran Taboo (2018) Movie Review: The Politics of Intimacy and Law Bipasha Bhattacharyya March 10, 2026
Review Everybody Knows (2018) Movie Review: A Quietly Devastating Portrait of Trust, Memory, and Familial Debt Bipasha Bhattacharyya March 3, 2026
Review Annabelle: Creation (2017) Movie Review: How Does Silence Breathe in the Architecture of Dread? Bipasha Bhattacharyya February 27, 2026
Review Annabelle Comes Home (2019) Movie Review: Behind the Blessed Glass Bipasha Bhattacharyya February 27, 2026
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 26, 2026
Column What “English Vinglish” Reveals About Adult Learning in Indian Cinema Madiha Ali January 27, 2026
