BFI London Film Festival · Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay December 30, 2025
Review Dead Man’s Wire (2025) Movie Review: A Familiar Yet Nailbiting Throwback ‘70s Crime Thrillers Liam Gaughan November 17, 2025
Review Resurrection (Kuangye shidai, 2025) Movie Review: A Dizzying, Bravura Escapade Into Cinematic History Liam Gaughan November 17, 2025
Explainer · Netflix · Streaming Now A House of Dynamite (2025) ‘Netflix’ Movie Ending Explained: How Does the Ending Convey the Emptiness of an Impending Catastrophe? Akash Deshpande October 28, 2025
Column The Pain of Being Unloved: An Empathetic Study on Siddharthan’s Self in ‘Aham’ (1992) Rugmini Dinu October 27, 2025
Review Magellan (Magalhães, 2025) Movie Review: A Searing Yet Exhausting Catalogue of Anti-Colonialist Sentiments Liam Gaughan November 17, 2025
Review A Bear Remembers (2025) Short Film Review: The Sound of What We Have Lost Ritesh Sharma October 27, 2025
MUBI · Review · Streaming Now My First Film (2024) Movie Review: Zia Anger’s Love Letter to Failure and Every First Film Sree October 27, 2025
Review Renoir (Runowâru, 2025) Movie Review: A Quiet, Melancholic, and Thoroughly Fascinating Ode to the Things Left Unsaid Akash Deshpande November 17, 2025
