Films This Week · Review Bramayugam (2024) Movie Review: Positioning the (Ab)Use of Power as the Root of Horror Ashwani Kumar March 2, 2025
Column The Bombay Textile Mill Strikes and the Economy of the Anti-National in Saeed Akhtar Mirza’s ‘Albert Pinto Ko Gussa Kyon Aata Hai?’ (1980) Pritha Banerjee February 18, 2024
Column Naseem or the Story of A Fragmented Ayodhya, As Told By the Dastan Saeed Akhtar Mirza Pritha Banerjee February 16, 2024
Films This Week · Review Teri Baaton Mein Aisa Uljha Jiya (2024) Movie Review: This Unwieldy Romcom Fails to Pass the Turing Test Aryan Vyas March 2, 2025
Review · Streaming Now · Zee5 Global Lantrani (2024) Movie Review: Awkward, Misjudged Anthology-Look At A Broken Republic Debanjan Dhar February 16, 2024
Netflix · Review · Streaming Now Bhakshak (2024) Movie Review: Imperfect Film of Good Intentions Elevated by a Final Crackerjack of a Speech Amartya Acharya February 16, 2024
Interview Anubhuti (2024) ‘IFFR’ Interview: A Conversation With Writer-Director Anirban Dutta Virat Nehru February 13, 2024
Prime Video · Review · Streaming Now #Home (2021) Movie Review: Dazzling Digital World and the Disconnected E-Hemispheres of Modern Man Dr. Aparna Ajith February 6, 2024
Prime Video · Review · Streaming Now Antony (2023) Movie Review: Joju George’s Swag can’t Save this Already Drowned Ship Pramila Tripathi February 16, 2024
