Film Festivals · Review · Rotterdam Endless Borders (Marzhaye Bi Payan, 2023) Movie ‘IFFR’ Review: A stimulating drama on the growing uncertainties of the contemporary world Akash Deshpande February 16, 2024
Film Festivals · Review · Sundance Joonam (2023): ‘Sundance’ Review – A Contemplative & Poignant Portrait Into The Iranian Diasporic Community Through Three Different Generations Aryan Vyas January 23, 2023
Film Festivals · IFFK · Review No Bears [2022]: ‘IFFK’ Review – Jafar Panahi’s self-referential, introspective autofiction on artistic freedom condemns Iran’s repressive regime Anju Devadas December 28, 2022
Film Festivals · IFFK · Review Leila’s Brothers (2022) IFFK Review: Exploring Generational Wealth and Generational Misogyny Krishnanunni Padinjassery July 15, 2024
Film Festivals · Review A Tale of Shemroon (2022): ‘SSIFF’ Review – A revelation of an unexplored side of Iranian youth Lopamudra Mukherjee September 21, 2022
Film Festivals · Review · Venice Film Festival World War III [2022]: ‘Venice’ Review – A sharp and poignant tale of a film crew member pushed to the breaking point Amartya Acharya September 9, 2022
Article · Review Gabbeh [1996] Analysis: Glimpses into a lyrical divinity Srimayee Gangopadhyay August 7, 2022
Film Festivals · Review · SXSW The Locust (2022): ‘SXSW’ Review – A movie about the love of the art and its creators Amartya Acharya March 14, 2022
![No Bears [2022]: ‘IFFK’ Review – Jafar Panahi’s self-referential, introspective autofiction on artistic freedom condemns Iran’s repressive regime](https://www.highonfilms.com/wp-content/uploads/2022/12/No-Bears-2022-Movie-Review-768x432.jpg)
![World War III [2022]: ‘Venice’ Review – A sharp and poignant tale of a film crew member pushed to the breaking point](https://www.highonfilms.com/wp-content/uploads/2022/09/World-War-III-2022-Movie-Review-1-768x512.jpg)
![Gabbeh [1996] Analysis: Glimpses into a lyrical divinity](https://www.highonfilms.com/wp-content/uploads/2022/08/Gabbeh-1996-768x509.jpg)
