The Taste of Things (2023), the French entry to the 2024 Oscars, is unique and well worth watching for whoever wants to learn about French cuisine, food, or the power of passion. There were many surprises and some open skepticism on French social media when it was announced that this yearโs entry to the Academy Awards would be more than two hours long and focused on cooking in late 19th century France. It is fair to say โThe Taste of Thingsโ (Original title: La passion de Dodin Bouffant) sticks out like a sore thumb amidst the usual dramas and edgy thrillers that represent France in international competitions. But this risky choice is definitely a winner with its impeccable cinematography, endearing romance, and uplifting message about art.
Directed by Trแบงn Anh Hรนng, the film tells the story of Dodin Bouffant (Benoรฎt Magimel), a middle-aged French food connoisseur who works hand in hand with his beloved cook, the resourceful Eugรฉnie (national treasure Juliette Binoche). The two live in a remote estate in the countryside, surrounded by the food-loving friends of Dodin, who are always eager to try Eugรฉnieโs latest recipes.
Despite having a complicated relationship, the pair are long-time lovers and morph into parental figures as they attempt to train Pauline (Bonnie Chagneau-Ravoire), a young girl with an exceptional gift for cooking. They are determined to make a chef out of her, but Paulineโs farmer parents are worried about seeing their daughter embrace such a demanding career. Before long, Dodin has another issue on his hands: Eugรฉnieโs health seems to be weakening, and no doctor can properly diagnose her, jeopardizing the entire householdโs peaceful existence.
A summary never does justice to a great movie, and this one is no exception. It is almost impossible to correctly transcribe the filmโs poetic atmosphere or to describe its true protagonist: food. Food steals the show in โThe Taste of Things,โ whether it is on screen being prepared and tasted or simply as an aftertaste imagined by Dodin and Eugรฉnie. Viewers are invited to step into the world of these two brilliant cooks, and their passion is contagious.
Their cooking is elevated to the rank of art by the movieโs flawless cinematography and its perfect direction. Trแบงn Anh Hรนng won the prestigious Best Director Award at the French Palme dโOr competition and paid a vibrant homage to art in all its shapes and forms. No matter how unfamiliar viewers might be with cooking, it is impossible not to get sucked into the coupleโs world. This is thanks to the directorโs work: his mastery of warm lighting and shot composition is close to perfection, to the point where many scenes look like French Impressionist paintings from the time, and even the nature surrounding Dodinโs estate plays a part in the story.
This helps to give the movie an eerie, almost nostalgic atmosphere, andย โThe Taste of Thingsโ does feel like a folktale: an ode to creativity and dedication in which two complete strangers somehow become our friends. Loosely based on the life of French cook Jean Anthelme Brillat Savarin, โThe Taste of Thingsโ undeniably has a slow pace, which could put off viewers who are not used to watching slices of life.
Yet this is a deliberate choice: the film defies our usual sense of time and takes as long as needed to deliver its story – much like the time required for a dish to be perfectly cooked. In fact, it might be the antithesis of last yearโs blockbuster โNapoleonโ (2023): here, you will not find any significant events from French History, nor any special effects or epic battles.
Instead, the movie is centered on the endearing relationship between Dodin and Eugรฉnie, which sees the latter obstinately refuse to get married. Their love story is simple but touching and will resonate far beyond French borders. When the cookโs health degrades, Dodinโs anxiety is not only understandable but also shared by the viewers. For a film seemingly all about food, emotions run high and never feel forced.
โThe Taste of Thingsโ is also a sensory experience: though I have not read much about its sound design, it does a perfect job at making the dishes sound tasty – no matter how unusual the recipes might look. When the camera lovingly pans over the plethoric poultry, vegetables, soups, and desserts, French food enthusiasts will be reminded of some traditional dishes and very much perplexed by others. But even when the menu does not seem appetizing by modern standards, Eugรฉnie and Dodin’s skills never fail to deliver. Once again, Trแบงn Anh Hรนngโs direction stands out thanks to his gorgeous, varied shots of dishes being baked, cut, cooked, and served in more ways than anyone thought possible.
Food is always present, but the menu is never the same, and there is enough here to satiate the eye and prevent any boredom. Michelin-star winner and famous French chef Pierre Gagnaire acted as a consultant on set and helped the director to create dishes that were both realistic for the time period and appealing. The end product is a movie that is nothing short of a treat for film (and food) lovers: โThe Taste of Thingsโ takes its time to achieve a perfect balance between sweet and sour.