Dual [2022]: ‘Sundance’ Review – A pitch-black dark comedy where capitalism is the killer
In Riley Stearns’ world, characters talk like robots. They deliver their lines in such a perfectly muted and stoic manner,…
Sundance 2022: “Nanny,” “Emily the Criminal,” & “Honk for Jesus Save Your Soul”
The sixth round of our Sundance coverage features Nikyatu Jusu’s Nanny, John Patton Ford’s Emily the Criminal & Adamma Ebo’s Honk…
The Mission [2022] ‘Sundance’ Review – A Rewarding and Empathetic Study of Young Mormons
The Church of Jesus Christ of Latter-day Saints (LDS) – commonly referred to as the Mormon Church – has a…
All Adam McKay Movies Ranked
From his origins as a writer for Saturday Night Live, including a three-season run as head writer in the late…
In From The Cold (Season 1) Review – A Show That’s Essentially Black Widow And Mission: Impossible On Steroids
Unless you live under a rock or absolutely hate the sci-fi, action sub-genre, you must have come across at least…
The Severing [2022]: ‘Slamdance’ Review – Calisthenics that careen into tedium
Described as a “cathartic movement film”, The Severing left me with a clutch of thoughts that became increasingly pitted against…
Ultrainocencia [2022]: ‘Slamdance’ Review – A Quirky and Imperfect Mix of Performance Arts and Cinema
When Orión and Adán begin conducting their experiments in isolation, I momentarily forgot that I was watching a film. Otherwise,…
In The Heights (2021): Review and Breakdown
We all were robbed of the community-shared movie-watching experience in the past year. To a certain extent and after going…