The Daughter [2022] ‘MAMI’ Review: A Chilling, Powerful Portrait of Death and Closure in Modern Socio-political landscape
There are a few actors in Indian cinema who can almost never go wrong. Among the recent names, the first…
The Shepherdess and The Seven Songs [2022] Review: A Slow-Burn, Feminist Take on Nomadic Life in Kashmir
The Shepherdess and The Seven Songs Review: Pushpendra Singh is a rarity in Indian cinema. Since his debut, he has…
Super Sharanya (2022) Zee5 Review: Entertainment for The Sake of Entertainment
Super Sharanya (2022) Zee5 Review: Directed by Girish A. D., ‘Super Sharanya’ released this weekend on Zee5. It is his…
Moon Manor [2022] Review- All heart, notwithstanding some amateurish patches
Moon Manor begins with an odd premise. A man in his late eighties has hired a journalist, setting up an…
Maaran [2022]: ‘Hotstar’ Review – Maddeningly Horrible!
Karthick Naren made his directorial debut with D-16 (2016), an average crime/thriller that was extraordinarily celebrated because of the fact…
All Batman Movie Villains (Including The Batman) Ranked From Worst to Best
Every Batman Movie Villains Ranked From Worst to Best: Batman is the oldest superhero to be incorporated into movies and…
Scream [2022] Review: For Fans of Originals Who Dream of Sequels in the Same Vein
Franchises that kicked off in the 70s and the 80s introduced some really kick-ass characters. This led to the demand…
Feast [2021] ‘MUBI’ Review: An insightful yet frustrating Feature
Tim Leyendekker’s debut Feast, which is now playing on Mubi, opens with extremely grainy footage of flesh in close-up. It…