Why A Hero (2021) is Farhadi’s Close-Up; An Analysis of Farhadi’s Filmmaking Mechanics!
Why A Hero (2021) is Farhadi’s Close-Up; An Analysis of Farhadi’s Filmmaking Mechanics!: The world is a culmination of conflicts….
Romanian Spring in World Cinema: A Spotlight on Romanian Cinema
For the past two decades, world cinema has been mostly discussing Romanian cinema. Romanian films are exhibited at film festivals…
Sundance 2022: “Dual,” “All That Breathes,” & “Resurrection”
The third round of our Sundance coverage features Riley Stearns’ Dual, Shaunak Sen’s All That Breathes & Andrew Semans’ Resurrection:…
Speak No Evil [2022]: ‘Sundance’ Review – A Brilliantly Twisted Horror Film That Will Haunt Your Vacation Trips
The sub-genre of travel horror is perfect for those whose definition of traveling is moving around in a six-kilometer radius…
Nothing Compares [2022] ‘Sundance’ Review: A fierce Subject approached by basic Filmmaking
Tragedies are impossible to dismiss. In 2020, the release of Bollywood actor Sushant Singh Rajput’s film Dil Bechara followed his…
Sundance 2022: “After Yang,” “892,” & “The Princess”
The second round of our Sundance coverage features Abi Damaris Corbin’s 892, Kogonada’s After Yang, & Ed Perkins’ The Princess:…
The Cathedral [2022]: ‘Sundance’ Review – An experimental and meditative family portrait that looks at the ever-changing American landscape
An unknown and unseen narrator voices the opening moments of Ricky D’Ambrose’s extremely personal “The Cathedral.” This voice introduces us…
Sirens [2021]: ‘Sundance’ Review- A necessary but thinly developed anthem of resistance
Beneath its plea for free expression in a country choked by repressions, Rita Baghdadi’s film Sirens, premiering in the World…