Angry Son [2022]: ‘NYAFF’ Review: A Seamless Story of the Coming-of-Age of a Japanese-Filipino Queer Young Adult
Every time I am watching a coming-of-age story, I secretly wish the director brings to screen a glimpse of the…
Don’t Make Me Go (2022) ‘Prime Video’ Review:Â A Heart-Wrenching Tale of Self-Discovery and RealizationÂ
Don’t Make Me Go is a story of self-discovery and realization. This movie has a message to really unwind and…
The Old Man (Season 1), Episode 6: Review, Recap & Ending Explained
The Old Man (Season 1) Episode 6 Review, Recap & Ending Explained: This is the episode of monologues, of threads…
HIT-The First Case (2022) Review: A Potent Thriller for Two Acts & a Pretentious One for the Third
Disclaimer: HIT-The First Case review is not spoiler free. Vikram, played by Rajkumar Rao, is a police officer with post-traumatic…
Jaadugar (2022) Netflix Review: A three-hour long tirade that feels like a prolonged skit
During an interview, Chaitanya Tamhane (the director of ‘Court’ & ‘The Disciple’) mentioned his fascination with magic. Magic is mostly…
The Rehearsal (Season 1), Episode 1: Recap & Ending Explained
The Rehearsal (Season 1), Episode 1 Recap & Ending Explained: Nathan Fielder, creator of the famous American Docu-Reality Comedy TV…
One and Four [2022]: ‘NYAFF’ Review – Defying the Perception of absolute truth and the fallacy of its adequacy
Here comes another gorgeous film based on the Rashomon effect. ‘One and Four’s tightly wound narrative brings out Kurosawa’s timeless…
Special Delivery [2022]: ‘Fantasia’ Review – A Thrilling, Emotional Ride That Checks All The Boxes
The line-up for the Fantasia Film Festival 2022 is stacked and ready to roll, the event having premiered on the…