John Bronco Rides Again [2021]: ‘Short Film’ Review – Walton Goggins Returns As The Greatest Fake Pitchman
When it comes to mockumentaries, The Office (2005-2013) and Parks and Rec. (2009-2015) easily come to one’s mind. When it…
Dug Dug [2021]: ‘TIFF’ Review – A satire on religious faith, myth making and the politics of it all
Religions are nothing but stories. Stories that are written by writers who wanted to witness how blinded people can be…
The Shattering [2021] Review – A droopy psychological drama that fizzes out too soon
The elevated mommy-brain subgenre has had some kind of resurrection as of late. If the HULU Original film “False Positive”…
Malignant [2021] Review – James Wan’s love letter to the horror genre
Malignant Movie Review: Lately many feature films have tried to move away from the clichés of horror, affected by the…
Hereditary (2018) Explained: A 21st Century Horror-Realism
Hereditary (2018) Explained: A 21st Century Horror-Realism: Directorial debut of the celebrated Midsommar fame Ari Aster, Hereditary (2018) is a…
Gunpowder Milkshake [2021] Review – A colorful albeit forgettable blast of feminist entertainment
Female assassins are a thing now. Not sure if Lucy brought it into fashion, or was it the mainstream treatment…
Nobody Has to Know [2021]: ‘TIFF’ Review – A Melancholic Look At Finding Love To Counter Loneliness
One of the most under-explored aspects of modern movies and TV shows is geography. You might’ve hated studying about it…
The Middle Man [2021]: ‘TIFF’ Review – Coen-esque black comedy falls short of its potential
Here’s something interesting – Bent Hamer’s The Middle Man is a Dutch, Norwegian and German co-production, starring actors who are…