The White Fortress [2021]: ‘Berlinale’ Review – An Entertaining Love Story with a Horrifying Core
Igor Drljaca’s The White Fortress (Tabija) initially plays out most conventionally: the film sets up its protagonist, the Muslim-Bosnian man Faruk as…
Women is Losers [2021]: ‘SXSW’ Review – 60s set feminist fable suffers from a heavy-handed approach
Lissette Feliciano’s bombastic feature debut “Women is Losers,” kicks off with a self-referential DIY statement. It directly points out the…
10 Best Films By Adoor Gopalakrishnan
With the global success of Lijo Jose Pellissery’s ‘Jallikattu’ (2019), contemporary Malayalam cinema can boast of pushing the boundaries of conventional cinema,…
Download the Script of Borat Subsequent Moviefilm
Borat was back in 2020. The reason was the US government’s subsequent stupidness to control generalized issues. Borat Subsequent Moviefilm…
See You Then [2021]: ‘SXSW’ Review – Oblique Queer drama stumbles to a finish
Some of my favorite films are about two people talking to each other. From the likes of “Before Sunrise” to…
Sandeep Aur Pinky Faraar (2021) Movie Review: A Clever Thriller of Dual Motive
Masculinity is tropical to false aggression, conservative conformity, and defiance to unconventionality in its comparatively nontoxic veil. Toxic masculinity is…
July Rain [1967] Review – An Engrossing Study of Society and Youth in Flux
“It never ceases to amaze me how interesting everyday life really is. There are an endless number of human truths.”…
Sunset Boulevard (1950): Ghosts From An Archaic Cinema
Exercising the noir genre to build an interesting reflection supported by the differences between silent and sound cinema, the film…