CODA [2021]: ‘Sundance’ Review – A heartfelt, overly familiar crowd-pleaser
Sian Hader’s sophomore film after the 2016 Netflix film Tallulah, just broke the record for the biggest acquisition out of…
True Mothers [2020] Review: Naomi Kawase’s Potent Yet Frustrating Ode To Motherhood
Naomi Kawase’s films always revolve in familiar territory; with characters and relationships reeling under the grips of a society that…
Assassins [2020] Review – The Strange and Captivating True Story of a Political Killing
Political murders are common. It serves a purpose, however sinister the MO is. Such assassinations can halt the movements of…
Ailey [2021]: ‘Sundance’ Review – A surface-level representation of salvation through movement
Modern dance as you know it has had many shapes and forms. It has transformed from one type of movement…
The Most Beautiful Boy in the World [2021]: ‘Sundance’ Review – The fading fallacy and ignorance of stardom
Luchino Visconti was one of the founding fathers of Italian neorealism. It was a movement in film history that actually…
The Wanting Mare (2021) Review: A Penetrating Visual Fantasy
The Wanting Mare opens with a marvelous atmospheric view of a city, purportedly bobbing through a murky ocean, its lights…
The Top 5 Hindi Web Shows of 2020
Top 5 Hindi Web Shows of 2020: 2020 has been a terrible year for the cinema industry. This was the…
Penguin Bloom [2021] Netflix Review: A-List Actors Can’t Save Undercooked Melodrama
Glendyn Ivin’s Penguin Bloom adapts Cameron Bloom and Bradley Trevor Greene’s book of the same name, telling the true story…