The Girl and The Gun [2020]: ‘NYAFF’ Review – A Symbolic Eye-Opener on Exercising The Presumed Power of a Patriarchal Society
‘The Girl and The Gun’ (Babae at Baril) which could also be explained as The Girl and The Patriarchal Power…
John Denver Trending [2020]: ‘NYAFF’ Review – The Death of Humanity
One’s idea of harmless fun can have a devastating impact on the other. Bullies are basically cowards at heart with…
Gone With The Light [2020]: ‘NYAFF’ Review – A relationship drama within a sci-fi backdrop
‘Gone With The Light’ (Bei guang zhua zou de ren) is a 2019 Chinese sci-fi thriller that revolves around a group…
Beasts Clawing at Straws [2020]: ‘NYAFF’ Review – A stylish crime-caper that tickles genre-conventions
South Korean cinema has become the real talk of the town all of a sudden. A year ago, the cinema…
Sanzaru [2020]: ‘Fantasia’ Review – Effective Psychological Horror caught up in flourishes
The word ‘Sanzaru’ in Japanese eludes to three wise monkeys who “see no evil, hear no evil, and speak no…
Dancing Mary [2020] ‘NYAFF’ Review – A Stale and Reckless Genre Mix
The aesthetically pleasing cinema of Sabu (aka Hiroyuki Tanaka) often offers a quirky blend of genres. When the mixture of…
Revisiting Mira Nair’s Monsoon Wedding (2001)
Mira Nair’s Monsoon Wedding debuted at Venice Film Festival on August 30, 2001, in the main competition section and went…
10 Most Underrated Hindi Movies of the Decade (2000s)
10 Most Underrated Hindi Films of the Decade 2000s: The decade of 2000s brought in a very prominent paradigm shift…