Descendant [2022]: ‘Sundance’ Review – Reclamation of identity by rediscovery of history as a tangible construct
Descendant (2022) Sundance Review: The Africatown community in Mobile Alabama have a unique slice of history running throughout the fabric…
A Ghibli-esque Journey: The Immersive Realism of Studio Ghibli
They say a picture is worth a thousand words. Studio Ghibli’s animation puts two and two together and concludes that…
Baccarat Movies
Few laypeople are aware, but globally, at the moment, baccarat is the most profitable casino game. It boasts a super…
Sundance 2022: “Babysitter,” “Cha Cha Real Smooth,” & “Something in the Dirt”
The fifth round of our Sundance coverage features Monia Chokri’s Babysitter, Cooper Raiff’s Cha Cha Real Smooth & Justin Benson…
Sundance 2022: “Klondike,” “Alice” & “Master”
The fourth round of our Sundance coverage features Maryna Er Gorbach’s Klondike, Krystin Ver Linden’s Alice & Mariama Diallo’s Master:…
The Killer (1989): Moralistic Boundaries Broken Down By Chivalric Bond
The Killer (1989) Review: Chow Yun Fat’s character, Ah Jong, is an extremely skilled professional hitman. He engages in a…
Girl Picture [2022]: ‘Sundance’ Review – A radical albeit slight tale about sexuality, identity & growing up
When it comes to tales of teen girls finding themselves, they are almost always presented in a rather regressive, repressed…
I Didn’t See You There [2022]: ‘Sundance’ Review – POV: To Be Stared At And Not Be Seen
The subheader I have chosen for this piece is a quote from this documentary. A simple-looking quote that stunned my…