The Lion King (2019) Review: A Photo Realistic Nostalgia
As one settles onto the seat and puts on a pair of 3D glasses, ready for an animated experience, Disney’s…
Hirokazu Kore-eda’s La Vérité (The Truth) to Open 76th Venice Film Festival
Palme d’Or winner at the 2018 Cannes Film Festival for Shoplifters, Kore-eda Hirokazu’s next film La vérité – The Truth is…
Complicity [2019]: ‘NYAFF’ Review- A Constant Struggle of Being an Outsider
Being an immigrant itself has a certain amount of stigma attached to it. Whether it is for being an outsider…
Sadako [2019]: ‘Fantasia’ Review – A linear, uninspiring horror drama
The Cult of Ringu & Sadako Hideo Nakata rose to fame with his chilling cult-horror film ‘Ringu’, based on the…
Secret Obsession Netflix [2019] Review: A Thrilling Drama That Barely Holds Together
Secret Obsession has a panic-stricken woman runs out of her car on a rainy night to escape from a man’s…
Postmodernity and the city: Blade Runner, Dark City, Akira
Postmodernity in Films The postmodern condition as Jameson describes it is that of a temporal schizophrenia and a spatial pastiche….
Frankenstein’s Monster’s Monster Frankenstein Netflix (2019) Review: The ‘Strangest Thing’
We are living in a new age of tv, where Netflix dominates the world. It has defined a generation of…
White Snake [2019]: ‘NYAFF’ Review – A Fable Told with Breathtaking Animation
As far as fables go, the animation is always a potent medium to capture the magic of the story, often…