Onward [2020] Review: Another Forward Step for Pixar
A tenderly crafted, wonderfully narrated & sumptuously animated fairy quest from the greatest animation studio on the planet, Onward marks…
Swallow [2020] Review – A complex body-horror about a woman trying to regain control
In Carlo Mirabella-Davis’ peculiar first-feature “Swallow,” a woman’s existence is questioned every now and then. His protagonist is Hunter (Haley…
Our Hospitality [1923] Review – Evoking Poetic Rhythm & Artistry within Slap-Stick Tradition
Our Hospitality (1923) was Buster Keaton’s second self-produced and directed (along with with John G. Blystone) full-length feature that was…
Paarth Saarathi (2019) Short Film Review: A Homage To Taxi Driver In Modern-Day Delhi
Paarth Saarathi Review: “To protect the righteous, to annihilate the wicked, and to re-establish the principles of dharma I appear…
[Watch] “The Green Fog”: Guy Maddin’s masterful patchwork homage to Hitchcock
I know that it has been said a gazillion time before and saying it would undermine my recommendation powers but…
Saudade [2012] Review – Visual Symphony of Static and Dynamic
Saudade (2012) – Visual symphony of static and dynamic You and your friends plan to go to the beach. You…
Kingdom (Season 2) Netflix Review– A Hastily Written Follow-Up to the Horror Fantasy Series
Kingdom (Season 2) is now streaming on Netflix Recap Netflix’s Kingdom (2019-) is the feudal zombie fantasy set in the…
Boys in Trouble: Young Ahmed and Luce
Luce is more satisfying because it relishes in being an enigma, offering up the sort of questions and ambiguities that riddles people’s lives — Young Ahmed does the opposite and linearly leads to a solid conclusion of a clean arc.