The Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological ThrillersOctober 22, 2025 Adam Page
Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ October 18, 2025 Dan Flattery
The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
Essay Madonna, Myths, and Missteps: A Critique of ‘Devi aur Hero’ Manav October 16, 2025October 22, 2025
Essay One Battle After Another’s Fight in the Graveyard of the Western Charlie Gaskell October 15, 2025October 22, 2025
Essay Control, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948) Bella Madge October 15, 2025October 22, 2025
Column The Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological Thrillers Adam Page October 22, 2025October 22, 2025
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 18, 2025October 22, 2025
ColumnThe Begetter of Movement: The Case of Sudha’s Husband in ‘Ijaazat’ (1987)March 13, 2024 Damayanti Ghosh
ColumnThe Ultimate Scorned Lover: The Story of Alex in Fatal Attraction (1987)March 6, 2024 Adil Rahim Hyder
ColumnWith “Dune: Part Two,” Denis Villeneuve Proves He’s the Master of Balancing Scale with Scope March 3, 2024 Aryan Vyas
ColumnDisability, Extortion, and Impact of the Bhiwandi Communal Riots in Saeed Akhtar Mirza’s ‘Salim Langde Pe Mat Ro’ (1989) March 1, 2024 Pritha Banerjee
Column · Hulu · Netflix · Streaming Now12th Fail (2023): Why Is This Story of a Lower-Middle-Class Boy Reigning Over Our Hearts?March 1, 2024 Srilekha Mitra
ColumnDavid Fincher’s Fight Club (1999): Is It the Most Tragically Overlooked Oscars Loser Ever?February 24, 2024 Kevin Stewart
ColumnThe Bombay Textile Mill Strikes and the Economy of the Anti-National in Saeed Akhtar Mirza’s ‘Albert Pinto Ko Gussa Kyon Aata Hai?’ (1980)February 16, 2024 Pritha Banerjee
Essay 50 Years of Nirmalyam (1973): Timeless, Introspective, and Radical Krishnanunni Padinjassery April 19, 2024
Essay Aftersun (2022) As A Tale of Aching (Re)Memory and Imagination Purusharth Chawla October 26, 2024
Essay Minari (2020) as More than Just a Family Drama: An Interpretation of the Film’s Marxist Themes Shivani Muralikrishna March 3, 2023
Essay ‘EO’: Reimagining ‘Au Hasard Balthazar’ To Study Human Nature Five Decades Later Aryan Vyas February 28, 2023
Essay Celebrating Secularism With Shahrukh Khan’s Pathaan (2023) Balaganesh Kothapalli February 22, 2023
Essay Discovering Steven Spielberg’s Magic: Why The Fabelmans and Close Encounters of the Third Kind Should be a Double Bill Rob Jones February 23, 2023
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