Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025)December 1, 2025 Shivangi Thakur
Buddhadeb Dasgupta’s ‘Swapner Din’ and the Politics of Vanishing IdentitiesNovember 30, 2025 Gourab Saha
Radical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the GalaxyNovember 26, 2025 Sourav Chatterjee
Essay Into the Heart of Darkness: A Trio of Hollywood’s Beautiful Catastrophes Adam Page November 24, 2025November 25, 2025
Column The Physics of Grief in Clint Bentley’s ‘Train Dreams’ Ben Bogdan November 21, 2025November 24, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake” Ahendrila Goswami November 20, 2025November 23, 2025
Column The Existential Horror Hidden in Eternity’s Rom-Com Glow Christopher Rhoten December 3, 2025December 3, 2025
Column Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025) Shivangi Thakur December 1, 2025December 2, 2025
Column Blood in Eden: The Ideological Origins of Ryan Coogler’s ‘Sinners’ Dan Flattery December 1, 2025December 2, 2025
ColumnThe Count of Monte Cristo (2024): Action and Emotion – How to Find the Right Balance?July 10, 2024 Joséphine des Aulnois
EssayChandu Champion: Kartik Aaryan Transforms Himself in This Tale of Indian SisyphusJuly 8, 2024 Naina Rathi
Column“Less of a Man”: Why We Need More Narratives Like ‘Baby Reindeer’ and ‘May December’?June 28, 2024 Oishi Banerjee
EssayLost in Translation: How “Anatomy of a Fall” Captures the Difficulty of Representing RealityJune 22, 2024 David Lobzhanidze
ColumnParis is Burning: The Search for Freedom in Overlapping Systems of OppressionsJune 19, 2024 Purusharth Chawla
ColumnThe Next Big Monster: Why We Should Be Excited About the Upcoming Nosferatu (2024) Remake?June 4, 2024 Joséphine des Aulnois
ColumnWhy Furiosa: A Mad Max Saga is Bombing at the Box Office (And Why It Doesn’t Matter)May 31, 2024 Adil Rahim Hyder
ColumnStill Relevant After All These Years: How “Reality Bites” Captures 90s Nostalgia and Gen X StrugglesMay 28, 2024 Shreya Mariam
Column · Netflix · Streaming NowWhy is the Failure of ‘Laal Singh Chaddha’ (2022) A Depressing Moment for Bollywood?May 16, 2024 Ritesh Sharma
Column101 Years of Mrinal Sen: Remembering the Icon of Indian Political CinemaMay 14, 2024 Balachandran Chirammal
ColumnWomen Losing and Finding Themselves Back in Kiran Rao’s ‘Laapataa Ladies’ (2024) May 6, 2024 Pratyasha Roy
ColumnWhy ‘Jackie Brown’ Offers a More Authentic Hangout Experience Than ‘Once Upon a Time in Hollywood’?May 5, 2024 Ritesh Sharma
Essay The Eerie and Fantastical Exhibition of Sam Raimi’s The Evil Dead Trilogy Aravind Nair July 10, 2024
Essay On Race Relations & Queerness in Todd Haynes’ Far From Heaven (2002) Jeffrey Davies July 8, 2023
Essay Searching for the Local Übermencsch: Joel Grey in ‘Man on a Swing’ (1974) Vassilis Kroustallis April 12, 2023
Essay Rosemary’s Baby (1968): Rethinking the Monstrous Mother in Popular Culture Ankita Sen April 4, 2024
Essay You Only Live Once? How Creative Fatigue Plagued the End of the Bond Eras of Pierce Brosnan and Daniel Craig Joséphine des Aulnois March 23, 2023
Essay Charting the Rise of ‘Richsploitation’: The Genre You Don’t Know You Love Elliott Kendal March 22, 2023
Essay Women behind the Camera: Examining Space and Gender in Woman with a Movie Camera (2022) Krishnanunni Padinjassery March 20, 2023
Essay 50 Years of Nirmalyam (1973): Timeless, Introspective, and Radical Krishnanunni Padinjassery April 19, 2024
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