From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)
Column Understanding the Post-Partition Riverscape of Padma in Ghatak’s ‘Komal Gandhar’ (1961) Keshab Ray September 5, 2025
Column The Art, the Artist, and the Astaire: How ‘The Band Wagon’ (1953) Deconstructs Cinema’s Greatest Dancer Jack Keating September 8, 2025
Column Caste Was Never Part of My Story Until It Was: Featuring ‘Dhadak 2’ (2025) Sneha Roy August 30, 2025
Column Girls Just Like to Swing! My Observations and Reflections on Mira Nair’s ‘India Cabaret’ Nayan Jain August 28, 2025
Column The Real Rage Virus: 28 Years Later and Dreams of Nationalist Nostalgia Dan Flattery August 28, 2025
Column Weapons of the American Dream: How Zach Cregger’s Weapons (2025) Reflects Today’s Reality Deepshikha Deb August 24, 2025
Column From Muddy Skirts to Clenched Hands: 20 Years of ‘Pride & Prejudice’ (2005) Sree August 16, 2025
Column Cinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Paris Naman Kumar August 16, 2025
Column The Return of ‘Chaotic Women’ in Indian Independent Cinema Bipasha Bhattacharyya August 15, 2025
