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Column Get Busy Living: The Shawshank Redemption’s Philosophy of Purpose First, Hope Second Bella Madge November 10, 2025
Column The Autonomy of Sound in Ghatak – Part II: Sound, Liberation, and Unity in ‘Komal Gandhar’ Sree November 10, 2025
Column The Autonomy of Sound in Ghatak – Part I: Sound, Silence, and Partition in ‘Subarnarekha’ Sree November 10, 2025
Column The Burden of Grandeur: Revisiting Baahubali’s Idea of a ‘Magnum Opus’ Lakshmi Muthiah November 10, 2025
Column Breaking the Cage in ‘Girls Will Be Girls’: Shuchi Talati’s Feminist Lens on Women’s Emotional and Sexual Psyche in South Asian Cinema Poddo Alam November 9, 2025
Column 30 Years Later: Why ‘Waterworld’ Was Never the Bomb Critics Claimed It To Be? Kay A. Oliver November 9, 2025
Column A Temple of Idleness: Why Mallrats (1995) is the Most Sincere Film Among the Slacker Cinema Sebastian Sommer November 6, 2025
Column The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008) Christopher Rhoten November 5, 2025
