Love in the Ruins of Paradise: How “Pathey Holo Deri” Turns Melodrama Into a Study of Desire and Selfhood
Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic
Column The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008) Christopher Rhoten November 5, 2025
Column From Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978) Jubin Abraham November 2, 2025
Column Seeing ‘Sir’ Through Dalit Feminist Gaze: Love Amid Inequality Priyanca Ambalvi December 21, 2025
Column The Pain of Being Unloved: An Empathetic Study on Siddharthan’s Self in ‘Aham’ (1992) Rugmini Dinu October 27, 2025
Column The Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological Thrillers Adam Page October 25, 2025
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 22, 2025
Column The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’ Bipasha Bhattacharyya October 22, 2025