Rabid Cities, Abandoned Souls: ‘Black Dog’ (2024) as a Mirror to Modern ChinaJune 18, 2025 Abhay Yadav
Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the SilencedJune 17, 2025 Ishani Routh
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’June 17, 2025 Ajay Rahul Raja
The Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece June 16, 2025 Vaishnavi S
Column Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find Out Ayan Dawn June 15, 2025June 15, 2025
Column Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (The Shepherdess and the Seven Songs, 2020) Sahil June 15, 2025June 15, 2025
Column Rabid Cities, Abandoned Souls: ‘Black Dog’ (2024) as a Mirror to Modern China Abhay Yadav June 18, 2025
Column Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the Silenced Ishani Routh June 17, 2025June 17, 2025
EssayMukundan Unni Associates (2022) – A Metamodern (?) Replica of The Tragedy of MacbethJanuary 28, 2023 highonfilms
EssayThe Enigma Called ‘Oppa’: How Korean Men Made Their Way Into Our Living RoomsJanuary 16, 2023 Kajal Kapur
Essay‘Normal People’ is Toxicity wrapped in Western Melancholy, cleverly disguised as an absorbing storyJanuary 11, 2023 Simra Sadaf
EssayExploring the Narrative Angle and the Role of Women in Rituparno Ghosh’s ‘Shubho Mahurat’December 29, 2022 Arpita Chowdhury
Essay · Video[Watch] The Unexpected Popularity of RRR in the West ExplainedDecember 16, 2022 Matt Geiger
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’
Essay 50 Years of Nirmalyam (1973): Timeless, Introspective, and Radical Krishnanunni Padinjassery April 19, 2024
Essay Aftersun (2022) As A Tale of Aching (Re)Memory and Imagination Purusharth Chawla October 26, 2024
Essay Minari (2020) as More than Just a Family Drama: An Interpretation of the Film’s Marxist Themes Shivani Muralikrishna March 3, 2023
Essay ‘EO’: Reimagining ‘Au Hasard Balthazar’ To Study Human Nature Five Decades Later Aryan Vyas February 28, 2023
Essay Celebrating Secularism With Shahrukh Khan’s Pathaan (2023) Balaganesh Kothapalli February 22, 2023
High On Films
