Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Column · Netflix · Streaming NowA Bold New Vision: Why the 2022 ‘Persuasion’ Needs More Love?March 18, 2025 Sanjida Samrin Rahman
ColumnHow “Paterson” and His Major Moment of Synchronicity Became My OwnMarch 17, 2025 Bobbi Campbell
ColumnThe Eternal Cycle: Samsara and Symbolism in ‘Spring, Summer, Fall, Winter… and Spring’ March 17, 2025 Srimayee Gangopadhyay
EssayI Speak in Three Languages, Write in Two, Love in One: ‘Lootera’ and Romance in Vernacular March 15, 2025 Damayanti Ghosh
ColumnWim Wenders: The Journeys through Solitude and the Search for Meaning March 6, 2025 Srilekha Mitra
EssaySexual Violence and the Objectification of Women in Hindi CinemaFebruary 18, 2025 Santosh Kumar Mamgain
ColumnWho is the Mysterious Janitor? Unraveling Identity and Loneliness in ‘I’m Thinking of Ending Things’ (2020)February 17, 2025 Abirbhab Maitra
Column‘Wicked’ and the Jim Crow Era: Unmasking the Parallels of Prejudice and PowerFebruary 14, 2025 Aja Haymore
ColumnNeo-Kolkata Triptych? A Cinematic Inquiry into a Decaying MetropolisFebruary 13, 2025 Soumalya Chatterjee
Column‘The Wages of Fear’ and ‘Sorcerer’: A Comparison of Different PerspectivesFebruary 10, 2025 Abirbhab Maitra
EssayRobert Eggers’ ‘Nosferatu’ (2024): Changes and Continuity in Vampiric TraditionsJanuary 20, 2025 Kalpa Jyoti Bhuyan
ColumnRelationships in a Small Town in Nuri Bilge Ceylan’s ‘Kasaba’ and ‘Clouds of May’January 19, 2025 Abirbhab Maitra
ColumnA Tribute to David Lynch: An Impenetrable Visionary Who Lit Up The Darkest Recesses of Our MindsJanuary 17, 2025 Julian Malandruccolo
Column Between Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025) Rhea Raj Shinde October 7, 2025
Article · News What Is the Real Story Behind Netflix’s House of Guinness? — Fact vs Fiction! Khushi Verma October 7, 2025
Column The Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global Order Aryan Vyas October 7, 2025
Essay Summer of Superman: How James Gunn’s ‘Superman’ (2025) Reminds Us of The Man of Tomorrow’s Power Ollie Wheaton October 4, 2025
Column A Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’ Shivani Muralikrishna November 9, 2025
Column How Did Zubeen Garg Become the Heartbeat of Our Generation Kalpa Jyoti Bhuyan September 26, 2025
Column ‘No Smoking’ and the Politics of Control: Anurag Kashyap’s Unheeded Prophecy Soumyajyoti Kar November 6, 2025
