When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) July 10, 2025 Hannah John
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ July 10, 2025 Gourab Saha
The Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatak’s ‘Jukti Takko Aar Gappo’ Through an Absurdist LensJuly 8, 2025 Ishani Routh
Column The Stars of Aamir Khan: A Comparative Reflection on ‘Taare Zameen Par’ and ‘Sitaare Zameen Par’ Kalpa Jyoti Bhuyan July 7, 2025July 10, 2025
Column Guru Dutt: The Lonely Artist Who Spoke Through Shadows Nishtha Ranjan July 7, 2025July 10, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas July 7, 2025July 10, 2025
Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 10, 2025July 10, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 10, 2025July 10, 2025
EssayThe Enigma Called ‘Oppa’: How Korean Men Made Their Way Into Our Living RoomsJanuary 16, 2023 Kajal Kapur
Essay‘Normal People’ is Toxicity wrapped in Western Melancholy, cleverly disguised as an absorbing storyJanuary 11, 2023 Simra Sadaf
EssayExploring the Narrative Angle and the Role of Women in Rituparno Ghosh’s ‘Shubho Mahurat’December 29, 2022 Arpita Chowdhury
Essay · Video[Watch] The Unexpected Popularity of RRR in the West ExplainedDecember 16, 2022 Matt Geiger
EssayExotica (1994): A Confounding Tale of Strange Obsessions and Unbearable SufferingDecember 6, 2022 Pranjal Singh
EssayDisseminating Doubt, Demanding Dignity: The Declaration and Alienation of Ariyippu (2022)November 16, 2022 Krishnanunni Padinjassery
EssayOn Class and Queer Love: The Particularity of Films about Migrants PrideOctober 4, 2022 highonfilms
EssayFive Times Two (2004): A Portrait of a Marriage on the Terms of EndangermentSeptember 24, 2022 Pranjal Singh
When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’
Essay ‘EO’: Reimagining ‘Au Hasard Balthazar’ To Study Human Nature Five Decades Later Aryan Vyas February 28, 2023
Essay Celebrating Secularism With Shahrukh Khan’s Pathaan (2023) Balaganesh Kothapalli February 22, 2023
Essay Discovering Steven Spielberg’s Magic: Why The Fabelmans and Close Encounters of the Third Kind Should be a Double Bill Rob Jones February 23, 2023
Essay Analysing the ‘New’ in Malayalam’s New-Generation Buddy Movies: Rani Padmini (2015) and Super Sharanya (2022) Krishnanunni Padinjassery February 21, 2023
Essay From DDLJ to Rab Ne: How Aditya Chopra Created & Dismantled The On-Screen Persona of SRK’s Raj Aryan Vyas February 15, 2023
High On Films
