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Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the SilencedJune 17, 2025 Ishani Routh
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’June 17, 2025 Ajay Rahul Raja
The Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece June 16, 2025 Vaishnavi S
Column Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find Out Ayan Dawn June 15, 2025June 15, 2025
Column Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (The Shepherdess and the Seven Songs, 2020) Sahil June 15, 2025June 15, 2025
Column Rabid Cities, Abandoned Souls: ‘Black Dog’ (2024) as a Mirror to Modern China Abhay Yadav June 18, 2025
Column Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the Silenced Ishani Routh June 17, 2025June 17, 2025
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EssayDisseminating Doubt, Demanding Dignity: The Declaration and Alienation of Ariyippu (2022)November 16, 2022 Krishnanunni Padinjassery
EssayOn Class and Queer Love: The Particularity of Films about Migrants PrideOctober 4, 2022 highonfilms
EssayFive Times Two (2004): A Portrait of a Marriage on the Terms of EndangermentSeptember 24, 2022 Pranjal Singh
EssayOnce Upon a Time in Calcutta (2021): How to Survive in a Rapidly Changing Megalopolis?September 14, 2022 Suman Saha
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EssayCasa Grande (2014): A Non-Traditional Bildungsroman About Class, Color and ComfortAugust 17, 2022 Pranjal Singh
Article · Essay[Watch] Video Essay Exploring Why Costa-Gavras’”Z” is an Enduringly Relevant Political ThrillerAugust 8, 2022 Arun Kumar
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’
Essay Discovering Steven Spielberg’s Magic: Why The Fabelmans and Close Encounters of the Third Kind Should be a Double Bill Rob Jones February 23, 2023
Essay Analysing the ‘New’ in Malayalam’s New-Generation Buddy Movies: Rani Padmini (2015) and Super Sharanya (2022) Krishnanunni Padinjassery February 21, 2023
Essay From DDLJ to Rab Ne: How Aditya Chopra Created & Dismantled The On-Screen Persona of SRK’s Raj Aryan Vyas February 15, 2023
Essay The Seasons of Time: An Introduction To Post-Love Era, Based on Spike Jonze’s Her highonfilms May 29, 2024
Essay Mukundan Unni Associates (2022) – A Metamodern (?) Replica of The Tragedy of Macbeth highonfilms August 20, 2024
High On Films
