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Column A Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’ Shivani Muralikrishna October 2, 2025October 3, 2025
Essay The Poetics of Broken Hearts: Intimacy and Identity in ‘Queer’ Kabir Deb September 26, 2025September 26, 2025
Column How Did Zubeen Garg Become the Heartbeat of Our Generation Kalpa Jyoti Bhuyan September 26, 2025September 26, 2025
Column ‘King & Conqueror’ and the Long Shadow of ‘Game of Thrones’ Ollie Wheaton October 9, 2025October 9, 2025
Column Who Owns Nature? ‘Jugnuma’ and the Politics of Ecological Memory Prerna Chatterjee October 9, 2025October 9, 2025
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ColumnWhy Harris Dickinson Is Poised for Superstardom in the Next Five Years?March 19, 2024 Richard Thompson
ColumnSai Paranjpye’s ‘Katha’ tells us that inherent goodness doesn’t win the race anymoreMarch 17, 2024 Shikhar Verma
ColumnDenial of Meaninglessness Work and the Embarrassment of Lethargy: Why Life is Dull in Roy Andersson’s ‘World of Glory’?March 16, 2024 Pritha Banerjee
ColumnThe Begetter of Movement: The Case of Sudha’s Husband in ‘Ijaazat’ (1987)March 13, 2024 Damayanti Ghosh
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ColumnDisability, Extortion, and Impact of the Bhiwandi Communal Riots in Saeed Akhtar Mirza’s ‘Salim Langde Pe Mat Ro’ (1989) March 1, 2024 Pritha Banerjee
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ColumnDavid Fincher’s Fight Club (1999): Is It the Most Tragically Overlooked Oscars Loser Ever?February 24, 2024 Kevin Stewart
The Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global Order
Essay Searching for the Local Übermencsch: Joel Grey in ‘Man on a Swing’ (1974) Vassilis Kroustallis April 12, 2023
Essay Rosemary’s Baby (1968): Rethinking the Monstrous Mother in Popular Culture Ankita Sen April 4, 2024
Essay You Only Live Once? How Creative Fatigue Plagued the End of the Bond Eras of Pierce Brosnan and Daniel Craig Joséphine des Aulnois March 23, 2023
Essay Charting the Rise of ‘Richsploitation’: The Genre You Don’t Know You Love Elliott Kendal March 22, 2023
Essay Women behind the Camera: Examining Space and Gender in Woman with a Movie Camera (2022) Krishnanunni Padinjassery March 20, 2023
Essay 50 Years of Nirmalyam (1973): Timeless, Introspective, and Radical Krishnanunni Padinjassery April 19, 2024
Essay Aftersun (2022) As A Tale of Aching (Re)Memory and Imagination Purusharth Chawla October 26, 2024
Essay Minari (2020) as More than Just a Family Drama: An Interpretation of the Film’s Marxist Themes Shivani Muralikrishna March 3, 2023
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