A Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for HollywoodSeptember 17, 2025 Liam Gaughan
The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
Lost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
Column In ‘Lokah,’ Malayalam Cinema Finally Lets a Woman Wear the Cape Akhila Krishnan September 12, 2025September 12, 2025
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
Column · Featured A Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for Hollywood Liam Gaughan September 17, 2025September 17, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
ColumnWith “Dune: Part Two,” Denis Villeneuve Proves He’s the Master of Balancing Scale with Scope March 3, 2024 Aryan Vyas
ColumnDisability, Extortion, and Impact of the Bhiwandi Communal Riots in Saeed Akhtar Mirza’s ‘Salim Langde Pe Mat Ro’ (1989) March 1, 2024 Pritha Banerjee
Column · Hulu · Netflix · Streaming Now12th Fail (2023): Why Is This Story of a Lower-Middle-Class Boy Reigning Over Our Hearts?March 1, 2024 Srilekha Mitra
ColumnDavid Fincher’s Fight Club (1999): Is It the Most Tragically Overlooked Oscars Loser Ever?February 24, 2024 Kevin Stewart
ColumnThe Bombay Textile Mill Strikes and the Economy of the Anti-National in Saeed Akhtar Mirza’s ‘Albert Pinto Ko Gussa Kyon Aata Hai?’ (1980)February 16, 2024 Pritha Banerjee
ColumnNaseem or the Story of A Fragmented Ayodhya, As Told By the Dastan Saeed Akhtar Mirza February 15, 2024 Pritha Banerjee
ColumnExploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023)February 15, 2024 Tara Mathur
Essay · Streaming Now · The Criterion ChannelThe Critical Re-reading of Alfred Hitchcock’s Vertigo (1958)February 10, 2024 Santanu Das
EssayObjectification or Empowerment: Exploring the Male Gaze in Yorgos Lanthimos’ ‘Poor Things’February 10, 2024 Jacob Barton
Article · Essay[Watch] Video Essay draws parallel between the works of Wes Anderson & Roy AnderssonFebruary 9, 2024 High on Films
ColumnA Novel Look at the Holocaust in “The Zone of Interest” and “A Hidden Life”February 7, 2024 Mitchell Burken
A Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for Hollywood
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Essay You Only Live Once? How Creative Fatigue Plagued the End of the Bond Eras of Pierce Brosnan and Daniel Craig Joséphine des Aulnois March 23, 2023
Essay Charting the Rise of ‘Richsploitation’: The Genre You Don’t Know You Love Elliott Kendal March 22, 2023
Essay Women behind the Camera: Examining Space and Gender in Woman with a Movie Camera (2022) Krishnanunni Padinjassery March 20, 2023
Essay 50 Years of Nirmalyam (1973): Timeless, Introspective, and Radical Krishnanunni Padinjassery April 19, 2024
Essay Aftersun (2022) As A Tale of Aching (Re)Memory and Imagination Purusharth Chawla October 26, 2024
Essay Minari (2020) as More than Just a Family Drama: An Interpretation of the Film’s Marxist Themes Shivani Muralikrishna March 3, 2023
Essay ‘EO’: Reimagining ‘Au Hasard Balthazar’ To Study Human Nature Five Decades Later Aryan Vyas February 28, 2023
High On Films
