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Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)January 29, 2026 Sohini Dasgupta
Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie?January 23, 2026 Oleksandra Kolosovska
Column ‘Titli’ and the Fragile Dream of Becoming Free in Contemporary India Bipasha Bhattacharyya January 19, 2026January 19, 2026
Column Sartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’ Vasundhara Parashar January 16, 2026January 17, 2026
Column Bound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’ Bella Madge January 16, 2026January 17, 2026
Column How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days Hayyan Khawaja February 2, 2026February 3, 2026
Column Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010) Sohini Dasgupta January 29, 2026January 29, 2026
Column Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie? Oleksandra Kolosovska January 23, 2026January 23, 2026
ColumnHow the 1978 Existential Drama ‘Arvind Desai KI Ajeeb Dastaan’ Examines the Struggle to Understand the Meaning of LifeSeptember 17, 2024 Shikhar Verma
EssayAnatomy of a Fall: Confronting Ethics as a Consequence of a Decision-MakingSeptember 16, 2024 Avantika Tewari
ColumnThe Political Subtext of Govind Nihalani’s 1984 Satire ‘Party’ Is More Relevant Now Than EverSeptember 11, 2024 Shikhar Verma
ColumnHow ‘Pather Panchali’ Redefined the Indian Film Aesthetics?August 25, 2024 Shinji Alizeh Majumder
How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days
Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)
Column Cinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Paris Naman Kumar August 16, 2025
Column The Return of ‘Chaotic Women’ in Indian Independent Cinema Bipasha Bhattacharyya August 15, 2025
Essay The Rajinikanth Effect: How Thalaivar’s Meteoric Charm Forged A Cultural Phenomenon Anju Devadas August 30, 2025
Column The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain September 9, 2025
Essay Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema Anju Devadas August 30, 2025
Column Why do all the Contemporary Villains Sound Like They’ve Read Camus? Bipasha Bhattacharyya August 11, 2025
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