Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Column101 Years of Mrinal Sen: Remembering the Icon of Indian Political CinemaMay 14, 2024 Balachandran Chirammal
ColumnWomen Losing and Finding Themselves Back in Kiran Rao’s ‘Laapataa Ladies’ (2024) May 6, 2024 Pratyasha Roy
ColumnWhy ‘Jackie Brown’ Offers a More Authentic Hangout Experience Than ‘Once Upon a Time in Hollywood’?May 5, 2024 Ritesh Sharma
ColumnWhy is Palm Springs a Better Existential Comedy than Groundhog Day? April 13, 2024 Ritesh Sharma
ColumnGame of Thrones vs. House of the Dragon: Comparing the Iconic Fantasy SeriesApril 2, 2024 High on Films
EssayHow the Screenplay of ‘Past Lives’ Nurtures its Deep Emotional CoreMarch 24, 2024 Shivani Muralikrishna
Column Through the Lens of Love and Longing: Revisiting Kieślowski’s ‘A Short Film About Love’ Rugmini Dinu August 5, 2025
Column ‘The Ugly Stepsister’ (2025) and the Cost of Becoming ‘Beautiful Enough’ Aja Haymore August 1, 2025
Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 28, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 20, 2025
Essay Lolita’s Daughters: Innocence, Eroticism, And Cinematic Obsession With The Nymphet Anju Devadas September 9, 2025
Column Changing Terrain of Cinema from India and Achal Mishra’s ‘Gamak Ghar’ Anand Subhash Borse July 25, 2025
Essay The Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975) Krishnanunni Padinjassery July 16, 2025
