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Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas March 23, 2026 Sree
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘If I Had Legs I’d Kick You’ and the Loneliness of Being a Mother Prapti Alam March 17, 2026March 19, 2026
Column A Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary India Soumalya Chatterjee March 17, 2026March 19, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column Treasure Planet, or the Refusal to Give Up on the Lost Guilherme Quireza March 26, 2026March 26, 2026
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
ColumnExploring Intersectionality in a Comedic World of ‘Tangerine’ (2015)July 15, 2024 Purusharth Chawla
ColumnSelling Out – How ‘American Fiction’ Recalls Spike Lee’s ‘Bamboozled’ While Sanitizing its Subversive EdgeJuly 13, 2024 Dorian Griffin
ColumnThe Count of Monte Cristo (2024): Action and Emotion – How to Find the Right Balance?July 10, 2024 Joséphine des Aulnois
EssayChandu Champion: Kartik Aaryan Transforms Himself in This Tale of Indian SisyphusJuly 8, 2024 Naina Rathi
Column“Less of a Man”: Why We Need More Narratives Like ‘Baby Reindeer’ and ‘May December’?June 28, 2024 Oishi Banerjee
EssayLost in Translation: How “Anatomy of a Fall” Captures the Difficulty of Representing RealityJune 22, 2024 David Lobzhanidze
ColumnParis is Burning: The Search for Freedom in Overlapping Systems of OppressionsJune 19, 2024 Purusharth Chawla
ColumnThe Next Big Monster: Why We Should Be Excited About the Upcoming Nosferatu (2024) Remake?June 4, 2024 Joséphine des Aulnois
ColumnWhy Furiosa: A Mad Max Saga is Bombing at the Box Office (And Why It Doesn’t Matter)May 31, 2024 Adil Rahim Hyder
ColumnStill Relevant After All These Years: How “Reality Bites” Captures 90s Nostalgia and Gen X StrugglesMay 28, 2024 Shreya Mariam
Column · Netflix · Streaming NowWhy is the Failure of ‘Laal Singh Chaddha’ (2022) A Depressing Moment for Bollywood?May 16, 2024 Ritesh Sharma
Column101 Years of Mrinal Sen: Remembering the Icon of Indian Political CinemaMay 14, 2024 Balachandran Chirammal
Column Weapons of the American Dream: How Zach Cregger’s Weapons (2025) Reflects Today’s Reality Deepshikha Deb August 24, 2025
Article Brazil (1985): The Surreal Dystopian Masterpiece Terry Gilliam Fought to Bring to Life Naveed Zahir January 7, 2026
Column From Muddy Skirts to Clenched Hands: 20 Years of ‘Pride & Prejudice’ (2005) Sree August 16, 2025
Column Cinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Paris Naman Kumar August 16, 2025
Column The Return of ‘Chaotic Women’ in Indian Independent Cinema Bipasha Bhattacharyya August 15, 2025
Essay The Rajinikanth Effect: How Thalaivar’s Meteoric Charm Forged A Cultural Phenomenon Anju Devadas August 30, 2025
Column The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain September 9, 2025
