Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Column · JioHotstar · Streaming Now A Journey of Letting Go in Soumyak Kanti DeBiswas’ ‘The Daughter’ Shivani Muralikrishna August 21, 2024
Column Magical Realism, Family and the Big Screen: Lessons from Two Great Movies Joséphine des Aulnois October 31, 2023
Column Uncovering Character Perspectives in ‘Little Black Book’ (2004) Jessica Balio October 30, 2023
Essay The Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard Linklater Aneesh Raikundalia July 30, 2025
Column The Coast of Winding Clouds And The Cinema of Rain: Nagraj Manjule’s ‘Pavsacha Nibandh’ Pritha Banerjee October 13, 2023
Column Journeys through the Mist: A Brief Analysis of Theo Angelopoulos’ Landscape in the Mist (1988) Balachandran Chirammal October 10, 2023
