Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Essay A Long Time on the Epiphanic Road: Chihiro’s Coming of Age and Personal Growth in Spirited Away (2001) Sreetama Basu July 5, 2024
Column · Netflix · Streaming Now Limbo (2020): The Story of Imprisoned Art Balachandran Chirammal July 30, 2023
Essay Barbenheimer: How ‘Barbie’ and ‘Oppenheimer’ Critiques Our Flawed World In Their Own Ways Srilekha Mitra August 21, 2024
Column The End of Heroes? Discussing the Possible Conclusions of the Indiana Jones, James Bond, and Mission: Impossible Franchises Joséphine des Aulnois March 10, 2025
Essay Why Oppenheimer Will Go Down As One of The Most Defining Films Of Our Era? Aryan Vyas August 21, 2024
