Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country NeedsJanuary 8, 2026 Soumalya Chatterjee
The Performance of Toiletry: Two Bollywood Female Protagonists and Self-ExpressionJanuary 7, 2026 Ahendrila Goswami
The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)January 7, 2026 Krishnanunni Padinjassery
Column Transmuting Financial Ruin and Forbidden Love into Plays Fit for a Queen in ‘Shakespeare in Love’ (1998) Vasundhara Parashar January 3, 2026January 10, 2026
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Days and Nights of Love and War: “Ikkis” is the Warm Hug This Country Needs Soumalya Chatterjee January 8, 2026January 8, 2026
Column Ecofeminism Through an Estranged Marriage in Aparna Sen’s Yugant (1995) Debanjan Dhar January 7, 2026January 7, 2026
Column The Performance of Toiletry: Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami January 7, 2026January 7, 2026
Article Is Knock At The Cabin (2023) A Threat-in-Disguise to Queer Love? Ahendrila Goswami February 24, 2023
Essay Celebrating Secularism With Shahrukh Khan’s Pathaan (2023) Balaganesh Kothapalli February 22, 2023
Column Action, Horror, and More: Inside the Colorful World of Timo Tjahjanto Joséphine des Aulnois April 23, 2023
Essay Discovering Steven Spielberg’s Magic: Why The Fabelmans and Close Encounters of the Third Kind Should be a Double Bill Rob Jones February 23, 2023
Essay Analysing the ‘New’ in Malayalam’s New-Generation Buddy Movies: Rani Padmini (2015) and Super Sharanya (2022) Krishnanunni Padinjassery February 21, 2023
Article · Awards Oscars 2023: Why ‘Best Director’ Is One of the Most Competitive Categories at the Academy Awards This Year? Suvo Pyne July 15, 2024
Article · Awards The Best Actor Oscar Predictions 2023: Where do the nominees stand at the dusk of Award Seasons? Rohit Saha August 20, 2024
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