Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Mile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young Director Andrew Kidd November 12, 2025November 12, 2025
Featured · Film Festivals · Review Adam’s Sake (L’intérêt d’Adam, 2025) ‘Cinemania’ Movie Review: A Malnourished Attempt at Empathy for the Healthcare System and Its Prisoners Julian Malandruccolo November 12, 2025November 12, 2025
Featured · Film Festivals · Review Love Me Tender (2025) ‘Cinemania’ Movie Review: Quiet Resilience in the Face of Queer Parental Persecution Julian Malandruccolo November 10, 2025November 11, 2025
Featured · Film Festivals · Review A Magnificent Life (Marcel et Monsieur Pagnol, 2025) ‘Cinemania’ Movie Review: Textured Animation Lends Depth to a Hastily Sketched Portrait of a French Icon Julian Malandruccolo November 9, 2025November 10, 2025
Film Festivals · Review The World Of Love (Segyeui Ju-in, 2025) ‘LFF’ Movie Review: Yoon Ga-eun’s Exceptional Film Encourages Us To Be the Masters of Our Own Worlds Freddie Kay October 28, 2025October 29, 2025
BFI London Film Festival · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025October 29, 2025
ReviewThe Teacher (2023) Movie Review: A Profound Human Drama Set against an Inhumane BackgroundNovember 12, 2025 Ollie Wheaton
Featured · Film Festivals · ReviewMile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young DirectorNovember 12, 2025 Andrew Kidd
Featured · ReviewRosemead (2025) Movie Review: A Career-Best Lucy Liu Performance Elevates a Flat-Footed Family DramaNovember 12, 2025 Liam Gaughan
Mile End Kicks (2025) ‘WIFF’ Movie Review: A Disappointing Second Effort From a Promising Young Director
Adam’s Sake (L’intérêt d’Adam, 2025) ‘Cinemania’ Movie Review: A Malnourished Attempt at Empathy for the Healthcare System and Its Prisoners
Films This Week · Review Aquaman and the Lost Kingdom (2023) Movie Review: A Sloppily Planned Funeral for the DCEU Thomas Gladstone January 2, 2024
Films This Week · Review The Boy and the Heron (2023) Movie Review: Miyazaki Returns With An Autobiographical Flourish In One Of The Best Films Of The Year Virat Nehru January 2, 2024
Films This Week · Review Salaar (2023) Movie Review: Contributes to the Stylised Showcase of Pathological Violence Ashwani Kumar January 2, 2024
Films This Week · Review The Iron Claw (2023) Movie Review: Tragic American Saga Uncannily Combines Arthouse Austerity and Heartfelt Sentimentalism Ron Meyer January 2, 2024
Review Rose (2023) Movie Review: Not Rose-Colored, But Blooming Danish Film On Mental Illness Vassilis Kroustallis December 21, 2023
Netflix · Review · Streaming Now Nyad (2023) Movie Review: Inspiring Story Suffocated by Narrative Conventions Thomas Gladstone December 20, 2023
Film Festivals · Review Io Capitano (2023) ‘KIFF’ Review: Seydou Sarr is Unforgettable in Garrone’s Rousing, Triumphant Migrant Odyssey Debanjan Dhar December 22, 2023
Review · Streaming Now · Tubi Young, Sexy & Dead (2023) Movie Review – Philip Alderton’s re-titled satire on the fashion industry is still relevant, but it misses more than it hits Shikhar Verma December 20, 2023
Film Festivals · Review On the Adamant (2023) ‘KIFF’ Review: Nicolas Philibert’s Documentary about a Parisian Day-Care Boat Asks us to Care More Deeply Debanjan Dhar December 20, 2023
High On Films
