Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire Hayyan Khawaja October 20, 2025
Featured · Film Festivals · Review The Last One for the Road (Le città di pianura, 2025) ‘FNC’ Movie Review: A Light Cruise Across the Italian Plains Julian Malandruccolo October 19, 2025October 19, 2025
Featured · Film Festivals · Review La Grazia (2025) ‘FNC’ Movie Review: Paolo Sorrentino’s Self-Consciously Moderate Plea for Mercy Julian Malandruccolo October 17, 2025October 17, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 20, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 20, 2025
BFI London Film Festival · Featured · Film Festivals · ReviewDie My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on FireOctober 20, 2025 Hayyan Khawaja
Featured · ReviewThe Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative InsertsOctober 20, 2025 Liam Gaughan
Featured · ReviewThe Summer Book (2025) Movie Review: Quiet Islands, Lingering Absence, and the Gift of StillnessOctober 20, 2025 Bipasha Bhattacharyya
Die My Love (2025) ‘BFI London Film Festival’ Movie Review: Lynne Ramsay Returns With a Gutting Portrait of a Mother on Fire
The Voice of Hind Rajab (Sawt Hind Rajab, 2025) Movie Review: A Devastating, Essential Encapsulation of Genocide in Progress, Complicated By Non-Narrative Inserts
How to Shoot a Ghost (2025) Short Film Review: A Tender Humanist Exploration of the Anxieties of Boundless Rejection
Review Happy Together (1997) Movie Review: A Universal Tale of Loneliness through the Lens of Queer Love Jacob Barton November 20, 2023
Film Festivals · LIFF · Review Padatik (2023) “LIFF” Movie Review: The Life and Times of Mrinal Sen Puja Nandi November 20, 2023
CIFF · Film Festivals · Review Limbo (2023) “CIFF” Movie Review- Wooden, uninspired Australian indigenous noir Debanjan Dhar November 20, 2023
CIFF · Film Festivals · Review Goodbye Julia (2023) “CIFF” Movie Review: A Gripping, searing Sudanese drama Debanjan Dhar November 20, 2023
Review Harry and Tonto (1974) Movie Review: An Evocative Tale of an Old Man and his Feline Exploring Life’s Depth in a Changing World Somnath Bhattacharjee November 20, 2023
Review Sapta Sagaradaache Ello: Side B (2023) Movie Review: Hemanth Rao’s Melancholic Tale Reaches its Cathartic End at the Cost of a Muddled Shift in Perspective Aryan Vyas November 20, 2023
DIFF · Film Festivals · Interview While We Watched (2023) “DIFF” Interview: A Conversation With Director Vinay Shukla Virat Nehru November 20, 2023
Review The Smell of Money (2022) Movie Review: An Impactful Documentary that Captures the Battle but Plays It Too Safe Ankush Sengupta November 20, 2023
High On Films
