Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
BFI London Film Festival · Featured · Film Festivals · Review Tuner (2025) ‘BFI London Film Festival’ Movie Review: A Welcome Surprise as This Year’s Mystery Movie Hayyan Khawaja October 14, 2025October 14, 2025
BFI London Film Festival · Featured · Film Festivals · Review Lucky Lu (2025) ‘BFI London Film Festival’ Movie Review: Lloyd Lee Choi Crafts an Authentic Portrait of Pain in the Gig Economy Freddie Kay October 14, 2025October 14, 2025
Featured · Film Festivals · Review Dracula (2025) ‘FNC’ Movie Review: A Charmless, Torturous, and Reprehensible Affair, Radu Jude’s Latest is Every Bit as Lifeless as Its Subject Julian Malandruccolo October 14, 2025October 14, 2025
Featured · Film Festivals · Review The Things You Kill (2025) Movie Review: A Surreal Deconstruction of the Fight or Flight Response of a Broken Man Akash Deshpande October 14, 2025October 14, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
Featured · Review · Streaming Now · Zee5 GlobalBhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra KumarOctober 16, 2025 Amartya Acharya
ReviewSilent Hill (2006) Movie Review: In the Ashes of Faith and FearOctober 15, 2025 Sebastian Sommer
Featured · ReviewPeacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human ExperienceOctober 15, 2025 Akash Deshpande
Bhagwat Chapter One: Raakshas (2025) Movie Review: Bland Police Procedural Rendered Watchable by Arshad Warsi and an Against-The-Type Jitendra Kumar
Peacock (Pfau – Bin ich echt?, 2025) Movie Review: Bernhard Wenger’s Tragicomedy about a Rent-A-Friend Employee Analyzes the Depths of Human Experience
Film Festivals · IFFLA · Review Lalanna’s Song (2022) Review- A bewitching, perplexing tease of a short Debanjan Dhar July 18, 2022
Film Festivals · NYAFF · Review Big Night! [2022]: ‘NYAFF’ Review – A tonally shifty black comedy that rarely confronts its dark subject matter Santanu Das July 18, 2022
Film Festivals · NYAFF · Review Ribbon (2022): ‘NYAFF’ Review – Life and Pandemic Making Way for A Poignant Art Piece Ahendrila Goswami July 18, 2022
Film Festivals · NYAFF · Review Legendary in Action! [2022]: ‘NYAFF’ Review – A Patchy Homage to Hong Kong Wuxia Films Arun Kumar July 17, 2022
Film Festivals · NYAFF · Review Angry Son [2022]: ‘NYAFF’ Review: A Seamless Story of the Coming-of-Age of a Japanese-Filipino Queer Young Adult Ahendrila Goswami July 17, 2022
Prime Video · Review · Streaming Now Don’t Make Me Go (2022) ‘Prime Video’ Review: A Heart-Wrenching Tale of Self-Discovery and Realization Reubyn Coutinho July 17, 2022
Films This Week · Review HIT-The First Case (2022) Review: A Potent Thriller for Two Acts & a Pretentious One for the Third Ashwani Kumar July 16, 2022
Netflix · Review · Streaming Now Jaadugar (2022) Netflix Review: A three-hour long tirade that feels like a prolonged skit Akash Deshpande July 16, 2022
Film Festivals · NYAFF · Review One and Four [2022]: ‘NYAFF’ Review – Defying the Perception of absolute truth and the fallacy of its adequacy Arnav Srivastav July 16, 2022
![Big Night! [2022]: ‘NYAFF’ Review – A tonally shifty black comedy that rarely confronts its dark subject matter](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/07/BIG-NIGHT-2022-MOVIE-REVIEW-2-768x432.jpg)
![Legendary in Action! [2022]: ‘NYAFF’ Review – A Patchy Homage to Hong Kong Wuxia Films](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/07/Legendary-in-Action-768x512.jpg)
![Angry Son [2022]: ‘NYAFF’ Review: A Seamless Story of the Coming-of-Age of a Japanese-Filipino Queer Young Adult](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/07/ANGRY-SON-MOVIE-REVIEW-1-768x322.jpeg)
![One and Four [2022]: ‘NYAFF’ Review – Defying the Perception of absolute truth and the fallacy of its adequacy](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2022/07/ONE-AND-FOUR-Movie-Review-1-768x512.jpeg)
High On Films
