Featured · Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma August 7, 2025
Films This Week · Review Omniscient Reader: The Prophecy (2025) Movie Review: An uninspired and self-indulgent mess that fails to carve an identity of its own Shikhar Verma August 13, 2025
Films This Week · Review Saiyaara (2025) Movie Review: A Somewhat Sincere Love Ballad Peppered With Familiar Mohit Suri-Isms Shikhar Verma July 24, 2025
Featured · Film Festivals · Locarno · Review Desire Lines (Linije zelje, 2025) ‘Locarno’ Movie Review: Dane Komljen Conjures an Enchanted Osmosis of Borderless-ness Debanjan Dhar August 12, 2025August 13, 2025
Featured · Film Festivals · Locarno · Review Solomamma (2025) ‘Locarno’ Movie Review: Lisa Loven Kongsli and Herbert Nordrum Make a Winsome Duo in Richly Conflicting Maternal Drama Debanjan Dhar August 11, 2025August 13, 2025
Featured · Film Festivals · Locarno · Review Legend of the Happy Worker (2025) ‘Locarno’ Movie Review: A Preachy, Mawkish, and Inconsistent Fable that Feels Like a Misfire Akash Deshpande August 9, 2025August 9, 2025
Featured · Film Festivals · Locarno · Review God Will Not Help (2025) ‘Locarno’ Movie Review: Bristling Study of Gendered Power Thrives in Gaps Debanjan Dhar August 9, 2025August 14, 2025
Featured · Film Festivals · Locarno · Review Phantoms of July (2025) ‘Locarno’ Movie Review: Julian Radlmaier Helms a Warmly Absorbing Fable of Transcendence Debanjan Dhar August 9, 2025August 9, 2025
Fantasia · Featured · Film Festivals · Review Foreigner (2025) ‘Fantasia’ Movie Review: A Slight Genre Affair that Feels Like a Cross Between ‘Mean Girls’ and ‘Get Out’ Akash Deshpande August 1, 2025August 13, 2025
Featured · ReviewThe Glassworker (2025) Movie Review: Miyazaki-inspired Pakistani animation has a muddled anti-war message August 14, 2025 Shikhar Verma
Featured · ReviewThe Baltimorons (2025) Movie Review: A Refreshingly Earnest, Pleasant Holiday CharmerAugust 14, 2025 Liam Gaughan
Featured · ReviewNe Zha 2 (Nezha: Mo tong nao hai, 2025) Movie Review: A Beautifully Animated Fantasy Epic That’s Just For KidsAugust 13, 2025 Liam Gaughan
The Glassworker (2025) Movie Review: Miyazaki-inspired Pakistani animation has a muddled anti-war message
Ne Zha 2 (Nezha: Mo tong nao hai, 2025) Movie Review: A Beautifully Animated Fantasy Epic That’s Just For Kids
Review Vidaamuyarchi (2025) Movie Review: A Visually Appealing Remake Yet Emotionally Hollow Film Ajay Rahul Raja March 2, 2025
Film Festivals · Review · Slamdance Under the Burning Sun (2025) ‘Slamdance’ Movie Review: An urgent but listless look at bodily autonomy Shikhar Verma March 2, 2025
Berlinale · Film Festivals · Review The Moelln Letters (2025) ‘Berlinale’ Review: Martina Priessner’s Documentary Puts an Imperative Demand for Remembrance Debanjan Dhar March 2, 2025
Review Swargarath (2024) Movie Review: A Humble Satire within a Modestly Enjoyable Entertainer Kalpa Jyoti Bhuyan March 2, 2025
Review The Tiger and the Snow (2005) Movie Review: Benigni’s Poem of Love Amidst War Abdalah Tarek Omar February 24, 2025
Review You Only Live Twice (1967) Movie Review: A Spectacular but Strained Bond Adventure Joshua Baker February 24, 2025
Review The Last Showgirl (2024) Movie Review: A Star Reborn or a Fading Light? Ajay Rahul Raja March 2, 2025
Berlinale · Film Festivals · Review Village Rockstars 2 (2024) ‘Berlinale’ Movie Review: Heart of Nature and Weight of Life Finds Focus in Rima Das’s Sequel Which Bridges Art and Activism Kalpa Jyoti Bhuyan March 2, 2025
Berlinale · Film Festivals · Review Dreams (2025) ‘Berlinale’ Movie Review: What Money Can and Cannot Buy: The Illusion of Control in Michel Franco’s Dreams Shubham Sharma February 23, 2025
High On Films
