Featured · Films This Week · Review Dhadak 2 (2025) Movie Review: An adaptation that doesn’t water down caste-based discrimination in favour of telling a love story Shikhar Verma August 7, 2025
Films This Week · Review Omniscient Reader: The Prophecy (2025) Movie Review: An uninspired and self-indulgent mess that fails to carve an identity of its own Shikhar Verma August 13, 2025
Films This Week · Review Saiyaara (2025) Movie Review: A Somewhat Sincere Love Ballad Peppered With Familiar Mohit Suri-Isms Shikhar Verma July 24, 2025
Featured · Film Festivals · Locarno · Review The Fin (2025) ‘Locarno’ Movie Review: Investigating the nature of devotion, indoctrination, and survival through a dystopian mirror Akash Deshpande August 14, 2025August 14, 2025
Featured · Film Festivals · Locarno · Review Desire Lines (Linije zelje, 2025) ‘Locarno’ Movie Review: Dane Komljen Conjures an Enchanted Osmosis of Borderless-ness Debanjan Dhar August 12, 2025August 13, 2025
Featured · Film Festivals · Locarno · Review Solomamma (2025) ‘Locarno’ Movie Review: Lisa Loven Kongsli and Herbert Nordrum Make a Winsome Duo in Richly Conflicting Maternal Drama Debanjan Dhar August 11, 2025August 13, 2025
Featured · Film Festivals · Locarno · Review Legend of the Happy Worker (2025) ‘Locarno’ Movie Review: A Preachy, Mawkish, and Inconsistent Fable that Feels Like a Misfire Akash Deshpande August 9, 2025August 9, 2025
Featured · Film Festivals · Locarno · Review God Will Not Help (2025) ‘Locarno’ Movie Review: Bristling Study of Gendered Power Thrives in Gaps Debanjan Dhar August 9, 2025August 14, 2025
Featured · Film Festivals · Locarno · Review Phantoms of July (2025) ‘Locarno’ Movie Review: Julian Radlmaier Helms a Warmly Absorbing Fable of Transcendence Debanjan Dhar August 9, 2025August 9, 2025
Featured · Film Festivals · Locarno · ReviewThe Fin (2025) ‘Locarno’ Movie Review: Investigating the nature of devotion, indoctrination, and survival through a dystopian mirrorAugust 14, 2025 Akash Deshpande
Featured · ReviewThe Glassworker (2025) Movie Review: Miyazaki-inspired Pakistani animation has a muddled anti-war message August 14, 2025 Shikhar Verma
Featured · ReviewThe Baltimorons (2025) Movie Review: A Refreshingly Earnest, Pleasant Holiday CharmerAugust 14, 2025 Liam Gaughan
The Fin (2025) ‘Locarno’ Movie Review: Investigating the nature of devotion, indoctrination, and survival through a dystopian mirror
The Glassworker (2025) Movie Review: Miyazaki-inspired Pakistani animation has a muddled anti-war message
Ne Zha 2 (Nezha: Mo tong nao hai, 2025) Movie Review: A Beautifully Animated Fantasy Epic That’s Just For Kids
Review The Monkey (2025) Movie Review: A Sneering Horror-Comedy More Tiresome Than Bananas Julian Malandruccolo March 2, 2025
Berlinale · Film Festivals · Review We Believe You (On vous croit 2025) ‘Berlinale’ Movie Review: A Heart-Wrenching Portrait of Child Custody Horrors Debanjan Dhar March 2, 2025
Review The House Was Not Hungry Then (2025) Movie Review: A Contemplative Horror Subversion on the Haunted House Subgenre Edgar Batres March 2, 2025
Film Festivals · Review Taarikh (2024) ‘PIFF’ Movie Review: A Search for Human Connection in a World That’s Determined to be Indifferent and Forgetful Kalpa Jyoti Bhuyan March 2, 2025
Film Festivals · Review My Melbourne (2024) ‘GAFF’ Movie Review: Powerful Journeys of Self-Discovery and Belonging Kalpa Jyoti Bhuyan March 26, 2025
Review Last Breath (2025) Movie Review: The Harrowing Survival Story Is A Taut, Claustrophobic Thriller Liam Gaughan March 2, 2025
Great Films · Review The Sweet Hereafter (1997) – The Pied Piper of Hamelin Nafees Ahmed February 16, 2025
Berlinale · Film Festivals · Review Das Licht (The Light, 2025) ‘Berlinale’ Movie Review: Berlinale’s Controversial Opener is a Cracked Mirror Reflecting the West’s Performative Guilt Shubham Sharma March 26, 2025
High On Films
