Featured · Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 13, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan September 9, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · Review Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness Julian Malandruccolo October 12, 2025October 12, 2025
Featured · Film Festivals · Review · Vancouver International Film Festival Akashi (2025) ‘VIFF’ Movie Review: A Sentimental, Intergenerational Tale of Love and Longing Akash Deshpande October 9, 2025October 13, 2025
Featured · Film Festivals · Review · TIFF Karmadonna (2025) ‘TIFF’ Movie Review: The Writer of ‘A Serbian Film’ Returns with a Bombastic Celebration of Hedonistic Excess Nikola Jovic October 8, 2025October 9, 2025
Featured · Film Festivals · NYFF · Review Jay Kelly (2025) ‘NYFF’ Movie Review: The Mirror Cracks in Hollywood’s Face – Noah Baumbach’s Latest is about the Fragility of Fame Aryan Vyas October 5, 2025October 10, 2025
BFI London Film Festival · Featured · Film Festivals · Review DJ Ahmet (2025) ‘BFI London Film Festival’ Movie Review: This North Macedonian Coming-of-Age Comedy is a Barrel of Laughs Jordon Searle October 3, 2025October 7, 2025
Featured · Film Festivals · NYFF · Review Nouvelle Vague (2025) ‘NYFF’ Movie Review: A Playful, Irreverent Hangout Film Aimed At Cinephiles Liam Gaughan October 2, 2025October 3, 2025
Featured · Film Festivals · ReviewPillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming TendernessOctober 12, 2025 Julian Malandruccolo
Featured · ReviewIs This Thing On? (2025) Movie Review: A Rarely Insightful Film about Comedy Solidifies Bradley Cooper as a Great DirectorOctober 12, 2025 Liam Gaughan
Featured · Netflix · Review · Streaming NowThe Woman in Cabin 10 (2025) Movie Review: A By-the-Numbers, Suitably Twisty Agatha Christie PasticheOctober 11, 2025 Liam Gaughan
Pillion (2025) ‘FNC’ Movie Review: Harry Lighton’s Eternally Sincere Debut Explores BDSM Kinks with Disarming Tenderness
Is This Thing On? (2025) Movie Review: A Rarely Insightful Film about Comedy Solidifies Bradley Cooper as a Great Director
The Woman in Cabin 10 (2025) Movie Review: A By-the-Numbers, Suitably Twisty Agatha Christie Pastiche
Films This Week · Review Viduthalai: Part 2 (2024) Movie Review: The Revolution Is Being Televised – Resistance In The Era Of Luigi Mangione Quiz March 2, 2025
Review Vermiglio (2024) Movie Review: Beautiful Family Drama Examines Tradition and Domesticity Liam Gaughan March 2, 2025
Review Babygirl (2024) Movie Review: Nicole Kidman Dominates in a Submissive Role of Tortured Desire Julian Malandruccolo March 2, 2025
Films This Week · Review A Complete Unknown (2024) Movie Review: A Prosaic Middle-of-the-Road Biopic of a Man Who Protested Being Stuck in One Place Aryan Vyas March 2, 2025
Films This Week · Review Nosferatu (2024) Movie Review: A Reverential Remake Relegated to the Shadows Julian Malandruccolo March 2, 2025
Review Humans in the Loop (2024) Movie Review: Introspecting the Narrative of Social Learning Aswin V March 2, 2025
Review Good Side of Bad (2024) Movie Review: A Vulnerable, Heartbreaking Adaptation Debopriyaa Dutta March 2, 2025
Review King Saud (2024) Movie Review: A haphazardly staged B-movie that doesn’t even qualify as ‘so bad that it’s good’ Shikhar Verma December 23, 2024
Films This Week · Review The Count of Monte Cristo (2024) Movie Review: Embracing Excess with a Smile and a Twirl of the Mustache Julian Malandruccolo March 2, 2025
High On Films
