Films This Week · Review Killers of the Flower Moon (2023) Movie Review: Bravura Filmmaking Can’t Overcome Shallow Storytelling Ron Meyer October 22, 2023
Films This Week · Review The Exorcist: Believer (2023) Movie Review: The Devil of the Future Possessing the Legacy of the Past Ashwani Kumar October 7, 2023
Films This Week · Review The Creator (2023) Movie Review – A visually sumptuous and original sci-fi epic that never truly feels alive Shikhar Verma October 5, 2023
Films This Week · Review A Haunting in Venice (2023) Review – Kenneth Branagh’s Directorial Style Compliments This Appealing Genre Mesh Aryan Vyas September 18, 2023
Films This Week · Review Jawan (2023) Movie Review: Atlee in Theri-fic form as SRK nails his woke-bae avatar in this anti-capitalist masala cocaine copaganda Rohit Saha September 28, 2023
Films This Week · Review The Equalizer 3 (2023) Movie Review: A Screenplay Committed to Stylish Violence but Not Self-reflecfion Ashwani Kumar September 4, 2023
Films This Week · Review Love Life (2023) Movie Review: Koji Fukada’s dive back into the uncertainties of life is fractured and moving in equal measure Shikhar Verma August 22, 2023
Films This Week · Review Jailer (2023) Movie Review: An Irresponsible Screenplay Suffering from Delusions of Grandeur Ashwani Kumar August 15, 2023
Films This Week · Review Mission: Impossible – Dead Reckoning Part One (2023) Movie Review: Tom Cruise’s Meta-Textual Outing Compounds The Vitality of Both the Star & the Franchise Aryan Vyas July 29, 2023
High On Films