Featured · Review Rudra (2025) Movie Review: Actor Ravi Sarma Can’t Salvage A Faltering Script Kalpa Jyoti Bhuyan July 28, 2025 Fantasia · Featured · Film Festivals · Review Anything That Moves (2025) ‘Fantasia’ Movie Review: Alex Phillips’ Erotic Thriller Zigzags Pointlessly Sans Any Edge Debanjan Dhar July 28, 2025 Featured · Review Maareesen (2025) Movie Review: Fahadh Fassil & Vadivelu are an unlikely duo in a problematic thriller that goes in circles Shikhar Verma July 27, 2025 Evergreen Lists See More… The 10 Best Indian Films of All Time As Chosen By FIPRESCI-INDIAJuly 26, 2025 Shoma ChatterjiThe 10 Greatest Three-Movie Runs by an Actor EverJuly 26, 2025 Eamonn Choukrane10 Best Ashley Judd Movie Performances, RankedJuly 25, 2025 Prithvijeet Sinha Reviews See More… Featured · Review Rudra (2025) Movie Review: Actor Ravi Sarma Can’t Salvage A Faltering Script Kalpa Jyoti Bhuyan July 28, 2025 Fantasia · Featured · Film Festivals · Review Anything That Moves (2025) ‘Fantasia’ Movie Review: Alex Phillips’ Erotic Thriller Zigzags Pointlessly Sans Any Edge Debanjan Dhar July 28, 2025 Featured · Review Maareesen (2025) Movie Review: Fahadh Fassil & Vadivelu are an unlikely duo in a problematic thriller that goes in circles Shikhar Verma July 27, 2025 Essays See More… Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas July 28, 2025 Column The Horror of the Unseen: How the 1999 Movie ‘The Blair Witch Project’ Redefined Fear Em Stonham July 24, 2025 Column Through the Lens of Love and Longing: Revisiting Kieślowski’s ‘A Short Film About Love’ Rugmini Dinu July 24, 2025 Column ‘The Ugly Stepsister’ (2025) and the Cost of Becoming ‘Beautiful Enough’ Aja Haymore July 21, 2025 Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 28, 2025 Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 20, 2025 All Posts ColumnFrom Cannes to the Commons: Why Fargeat’s ‘The Substance’ Reflects The Liberal Paralysis?Read More From Cannes to the Commons: Why Fargeat’s ‘The Substance’ Reflects The Liberal Paralysis?InterviewInterview with Lesia Diak: Director, Dad’s Lullaby (2024)Read More Interview with Lesia Diak: Director, Dad’s Lullaby (2024)Explainer · Netflix · Streaming NowBagheera (2024) Movie Ending Explained: Does Guru Choose to Aid Bagheera?Read More Bagheera (2024) Movie Ending Explained: Does Guru Choose to Aid Bagheera?Film Festivals · ReviewShoulders (2024) ‘CFF’ Movie Review: A Whimsical Dive into War, Psychosis, and Childlike ChaosRead More Shoulders (2024) ‘CFF’ Movie Review: A Whimsical Dive into War, Psychosis, and Childlike ChaosReviewThe American Question (2024) Documentary Review: A traditional look at the growing divide in our political standRead More The American Question (2024) Documentary Review: A traditional look at the growing divide in our political standNewsThis New Holiday movie on Netflix is Surprisingly depressingRead More This New Holiday movie on Netflix is Surprisingly depressingNewsThis Korean Horror Movie Is Making Waves on Netflix, and Its Twisted Ending Will Leave You ReelingRead More This Korean Horror Movie Is Making Waves on Netflix, and Its Twisted Ending Will Leave You ReelingReviewA Great Divide (2024) Movie Review: A Demonstrative Drama about the Oppressors Victimizing Themselves and Dehumanizing OthersRead More A Great Divide (2024) Movie Review: A Demonstrative Drama about the Oppressors Victimizing Themselves and Dehumanizing OthersNetflix · Review · Streaming NowOur Little Secret (2024) ‘Netflix’ Movie Review: A Cookie-Cutter Fare Riding the Holiday WaveRead More Our Little Secret (2024) ‘Netflix’ Movie Review: A Cookie-Cutter Fare Riding the Holiday WaveFilm Festivals · ReviewThe Propagandist (2024) ‘IDFA’ Movie Review: Rigorous, Vital Interrogation of Linkages Between Cinema and ComplicityRead More The Propagandist (2024) ‘IDFA’ Movie Review: Rigorous, Vital Interrogation of Linkages Between Cinema and Complicity Posts pagination Previous Page 1 … 170 171 172 173 174 175 176 … 1,209 Next Page Categories ReviewsEvergreen ListNewsStreamingFilm FestivalColumn Follow Us Instagram LinkedIn X Facebook YouTube Spotify Pinterest
Featured · Review Rudra (2025) Movie Review: Actor Ravi Sarma Can’t Salvage A Faltering Script Kalpa Jyoti Bhuyan July 28, 2025
Fantasia · Featured · Film Festivals · Review Anything That Moves (2025) ‘Fantasia’ Movie Review: Alex Phillips’ Erotic Thriller Zigzags Pointlessly Sans Any Edge Debanjan Dhar July 28, 2025
Featured · Review Maareesen (2025) Movie Review: Fahadh Fassil & Vadivelu are an unlikely duo in a problematic thriller that goes in circles Shikhar Verma July 27, 2025
Featured · Review Rudra (2025) Movie Review: Actor Ravi Sarma Can’t Salvage A Faltering Script Kalpa Jyoti Bhuyan July 28, 2025
Fantasia · Featured · Film Festivals · Review Anything That Moves (2025) ‘Fantasia’ Movie Review: Alex Phillips’ Erotic Thriller Zigzags Pointlessly Sans Any Edge Debanjan Dhar July 28, 2025
Featured · Review Maareesen (2025) Movie Review: Fahadh Fassil & Vadivelu are an unlikely duo in a problematic thriller that goes in circles Shikhar Verma July 27, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas July 28, 2025
Column The Horror of the Unseen: How the 1999 Movie ‘The Blair Witch Project’ Redefined Fear Em Stonham July 24, 2025
Column Through the Lens of Love and Longing: Revisiting Kieślowski’s ‘A Short Film About Love’ Rugmini Dinu July 24, 2025
Column ‘The Ugly Stepsister’ (2025) and the Cost of Becoming ‘Beautiful Enough’ Aja Haymore July 21, 2025
Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 28, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 20, 2025
ColumnFrom Cannes to the Commons: Why Fargeat’s ‘The Substance’ Reflects The Liberal Paralysis?Read More From Cannes to the Commons: Why Fargeat’s ‘The Substance’ Reflects The Liberal Paralysis?
InterviewInterview with Lesia Diak: Director, Dad’s Lullaby (2024)Read More Interview with Lesia Diak: Director, Dad’s Lullaby (2024)
Explainer · Netflix · Streaming NowBagheera (2024) Movie Ending Explained: Does Guru Choose to Aid Bagheera?Read More Bagheera (2024) Movie Ending Explained: Does Guru Choose to Aid Bagheera?
Film Festivals · ReviewShoulders (2024) ‘CFF’ Movie Review: A Whimsical Dive into War, Psychosis, and Childlike ChaosRead More Shoulders (2024) ‘CFF’ Movie Review: A Whimsical Dive into War, Psychosis, and Childlike Chaos
ReviewThe American Question (2024) Documentary Review: A traditional look at the growing divide in our political standRead More The American Question (2024) Documentary Review: A traditional look at the growing divide in our political stand
NewsThis New Holiday movie on Netflix is Surprisingly depressingRead More This New Holiday movie on Netflix is Surprisingly depressing
NewsThis Korean Horror Movie Is Making Waves on Netflix, and Its Twisted Ending Will Leave You ReelingRead More This Korean Horror Movie Is Making Waves on Netflix, and Its Twisted Ending Will Leave You Reeling
ReviewA Great Divide (2024) Movie Review: A Demonstrative Drama about the Oppressors Victimizing Themselves and Dehumanizing OthersRead More A Great Divide (2024) Movie Review: A Demonstrative Drama about the Oppressors Victimizing Themselves and Dehumanizing Others
Netflix · Review · Streaming NowOur Little Secret (2024) ‘Netflix’ Movie Review: A Cookie-Cutter Fare Riding the Holiday WaveRead More Our Little Secret (2024) ‘Netflix’ Movie Review: A Cookie-Cutter Fare Riding the Holiday Wave
Film Festivals · ReviewThe Propagandist (2024) ‘IDFA’ Movie Review: Rigorous, Vital Interrogation of Linkages Between Cinema and ComplicityRead More The Propagandist (2024) ‘IDFA’ Movie Review: Rigorous, Vital Interrogation of Linkages Between Cinema and Complicity
