Love in the Ruins of Paradise: How “Pathey Holo Deri” Turns Melodrama Into a Study of Desire and Selfhood May 14, 2026 Sree
Just a Slap: Ideology, Rupture and Ethical Excess in a Žižekian Reading of ‘Thappad’May 13, 2026 Gargi Chatterjee
Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor CrisisMay 11, 2026 Giovanna Ramírez
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic May 11, 2026 Krish
The Silence That Echoes: Gender, Space, and Power in Neeraj Ghaywan’s 2017 Short Film ‘Juice’ May 7, 2026 Prapti Alam
Essay Convergence and Separation of People and Places in Wim Wenders’ ‘Paris, Texas’ Manav May 5, 2026May 5, 2026
Column Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese Cinema Sree May 3, 2026May 4, 2026
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
Column Love in the Ruins of Paradise: How “Pathey Holo Deri” Turns Melodrama Into a Study of Desire and Selfhood Sree May 14, 2026May 14, 2026
Column Just a Slap: Ideology, Rupture and Ethical Excess in a Žižekian Reading of ‘Thappad’ Gargi Chatterjee May 13, 2026May 14, 2026
Column Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis Giovanna Ramírez May 11, 2026May 11, 2026
ColumnLove in the Ruins of Paradise: How “Pathey Holo Deri” Turns Melodrama Into a Study of Desire and Selfhood May 14, 2026 Sree
ColumnJust a Slap: Ideology, Rupture and Ethical Excess in a Žižekian Reading of ‘Thappad’May 13, 2026 Gargi Chatterjee
ColumnSpringing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor CrisisMay 11, 2026 Giovanna Ramírez
ColumnRevisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic May 11, 2026 Krish
ColumnThe Silence That Echoes: Gender, Space, and Power in Neeraj Ghaywan’s 2017 Short Film ‘Juice’ May 7, 2026 Prapti Alam
ColumnDrifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese CinemaMay 3, 2026 Sree
Column · Prime Video · Streaming NowAnatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarApril 25, 2026 Soumalya Chatterjee
Column‘Lemonade’ at 10: A Defiant, Politically Charged Album That Still Cuts Through April 25, 2026 Aja Haymore
Column · MUBI · Streaming NowThe Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing WorldApril 11, 2026 Damayanti Saha
EssayDodecatheon in Cinema (or 12 gods, 12 movies) #1: Hermes in ‘Thief’ (1981)April 10, 2026 Guilherme Quireza
Column‘Company Retreat’ and the Appeal of The Peculiar Strain of Meta-ComediesApril 9, 2026 Akash Deshpande
Love in the Ruins of Paradise: How “Pathey Holo Deri” Turns Melodrama Into a Study of Desire and Selfhood
Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic
Column Love in the Ruins of Paradise: How “Pathey Holo Deri” Turns Melodrama Into a Study of Desire and Selfhood Sree May 14, 2026
Column Just a Slap: Ideology, Rupture and Ethical Excess in a Žižekian Reading of ‘Thappad’ Gargi Chatterjee May 14, 2026
Column Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis Giovanna Ramírez May 11, 2026
Column Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic Krish May 11, 2026
Article · Featured Film Festivals and the Oscars: Which One Actually Predicts Best Picture? Naveed Zahir May 13, 2026
Column The Silence That Echoes: Gender, Space, and Power in Neeraj Ghaywan’s 2017 Short Film ‘Juice’ Prapti Alam May 7, 2026
Article ‘Will Trent’ Season 4 Finale Shocks Fans as Second Major Character Dies and Sets Up a New Beginning Khushi Verma May 10, 2026
Essay Convergence and Separation of People and Places in Wim Wenders’ ‘Paris, Texas’ Manav May 5, 2026