Paul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic PictureMay 15, 2025 Hector Levya
The Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema May 5, 2025 Anju Devadas
Unpacking ‘A Minecraft’ Movie: Nostalgia, the Sad State of Modern Blockbusters and Corporate ConsolidationApril 28, 2025 Shivam Pota
Superboys Of Malegaon (2025): Faiza Ahmad Khan & Nasir Shaikh’s Cinephilic Legacy Finds Home In Bollywood & BeyondApril 24, 2025 Sakshi Salil Chavan
Essay The Wicker Man: A Critique of Society’s Fear of Difference Aravind Nair July 9, 2023July 10, 2023
Article · Essay Feminism and its Eternal Affair with Film-making Bijaya Biswal March 14, 2018March 21, 2025
Column How Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media Spectacle Arijit Paul May 23, 2025
Column The Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’ Bharat Bhoite May 11, 2025May 11, 2025
Column Helena and Helly R: The Fractured Self at the Heart of ‘Severance’ Bharat Bhoite May 7, 2025May 7, 2025
Column The Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother Herself Sanjida Samrin Rahman May 6, 2025May 6, 2025
Column Hal Ashby’s Enduring Legacy: How ‘The Holdovers’ Echoes the Spirit of a 1970s Master Bharat Bhoite April 30, 2025May 5, 2025
Column ‘Daredevil: Born Again’ as Political Parable – A Superhero Story in the Age of Authoritarianism Arijit Paul April 29, 2025May 6, 2025
ColumnHow Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media SpectacleMay 23, 2025 Arijit Paul
EssayPaul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic PictureMay 15, 2025 Hector Levya
ColumnThe Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’May 11, 2025 Bharat Bhoite
ColumnThe Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother HerselfMay 6, 2025 Sanjida Samrin Rahman
Essay · FeaturedThe Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema May 5, 2025 Anju Devadas
The Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother Herself
Essay Paul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic Picture Hector Levya May 15, 2025
Essay · Featured The Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema Anju Devadas May 5, 2025
Essay Unpacking ‘A Minecraft’ Movie: Nostalgia, the Sad State of Modern Blockbusters and Corporate Consolidation Shivam Pota May 6, 2025
Essay Superboys Of Malegaon (2025): Faiza Ahmad Khan & Nasir Shaikh’s Cinephilic Legacy Finds Home In Bollywood & Beyond Sakshi Salil Chavan April 24, 2025
Essay The Fear of Loneliness and End of Reason in Kiyoshi Kurosawa’s ‘Cure’ Andrew Kidd April 14, 2025
Essay The Art Vs. Artist Discourse: Reassesssing The “separation” Paradigm In Film Anju Devadas April 4, 2025
Essay Why Women Centric Films in Hindi Cinema are not Necessarily Feminist Films? Santosh Kumar Mamgain March 20, 2025
Essay I Speak in Three Languages, Write in Two, Love in One: ‘Lootera’ and Romance in Vernacular Damayanti Ghosh March 15, 2025
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