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Column Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese Cinema Sree May 3, 2026May 4, 2026
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
Column Love in the Ruins of Paradise: How “Pathey Holo Deri” Turns Melodrama Into a Study of Desire and Selfhood Sree May 14, 2026May 14, 2026
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Column Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis Giovanna Ramírez May 11, 2026May 11, 2026
Column‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To FailMarch 31, 2026 Shivam Pota
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EssayWhat The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Column‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror FilmMarch 28, 2026 Akash Deshpande
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EssayApu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas March 23, 2026 Sree
ColumnWhat Lady Bird Teaches Us About the Cost of Economic Class and Independence?March 20, 2026 Puja Sinha
ColumnA Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary IndiaMarch 17, 2026 Soumalya Chatterjee
Essay“What’s Done is Done”: The Shift from Ambition to Numbness in 2015’s MacbethMarch 17, 2026 Adam Page
EssayThe Messianic Call to Raw Being: A Cross-Cultural Reading of Pier Paolo Pasolini’s ‘Teorema’ (‘Theorem,’ 1968) and C.P. Padmakumar’s ‘Sammohanam’ (‘Enchantment,’ 1994) March 14, 2026 Jubin Abraham
EssayThe Politics of Love in a Metropolitan Cityscape through Montu Pilot (TV Series 2019)March 11, 2026 Bipasha Bhattacharyya
ColumnWuthering Heights on Film: How Adaptations Repeatedly Lose the Dark Heart of Emily Brontë’s NovelMarch 10, 2026 Shivangi Thakur
Love in the Ruins of Paradise: How “Pathey Holo Deri” Turns Melodrama Into a Study of Desire and Selfhood
Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic
Column Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese Cinema Sree May 4, 2026
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 3, 2026
Article What does the call between Fezco and Rue in Euphoria Season 3, Episode 3 tell us about the fate of the late Angus Cloud’s character? Khushi Verma April 27, 2026
Column · Prime Video · Streaming Now Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of War Soumalya Chatterjee April 25, 2026
Column ‘Lemonade’ at 10: A Defiant, Politically Charged Album That Still Cuts Through Aja Haymore April 25, 2026
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Essay Dodecatheon in Cinema (or 12 gods, 12 movies) #1: Hermes in ‘Thief’ (1981) Guilherme Quireza April 11, 2026
