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Column How Daft Punk Take on the Music Industry Through “Interstella 5555” Rafael Jovine April 6, 2026April 7, 2026
Column Iran’s One Battle After Another: Cinephilia vs. State Soumalya Chatterjee April 3, 2026April 4, 2026
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EssaySwords Too Have Blunt Sides: A Critical Essay On The Portrayal And Acceptance Of Antagonists In ‘Game Of Thrones’ December 9, 2025 Kabir Deb
EssayYou Talkin’ to Me? How Taxi Driver’s Travis Bickle Holds up a Mirror to Who We AreDecember 8, 2025 Adam Page
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ColumnRadical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the GalaxyNovember 26, 2025 Sourav Chatterjee
The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World
Column Why Social Strategy Now Makes or Breaks Opening Weekend – How Social Media Became Hollywood’s Secret Weapon Kay A. Oliver February 24, 2026
Column How the Noir Detective Changed Through the 20th Century: The Erosion of Masculine Control in Film Noir Ben Brewster February 19, 2026
Column From Tbilisi to Seoul: Why Korean Cinema Feels Familiar to a Georgian Filmmaker Medea Tchelidze February 19, 2026
Column Who Creates the Monster? Psycho, Cairo Station, and the Violence We Refuse to See Masa Awartani February 14, 2026
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