The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing WorldApril 11, 2026 Damayanti Saha
Dodecatheon in Cinema (or 12 gods, 12 movies) #1: Hermes in ‘Thief’ (1981)April 10, 2026 Guilherme Quireza
‘Company Retreat’ and the Appeal of The Peculiar Strain of Meta-ComediesApril 9, 2026 Akash Deshpande
Column How Daft Punk Take on the Music Industry Through “Interstella 5555” Rafael Jovine April 6, 2026April 7, 2026
Column Iran’s One Battle After Another: Cinephilia vs. State Soumalya Chatterjee April 3, 2026April 4, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
Column Studying a ‘Non-Revolutionary’ in Satyajit Ray’s ‘Seemabaddha’ Damayanti Ghosh April 18, 2026April 19, 2026
Column · MUBI · Streaming Now The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World Damayanti Saha April 11, 2026April 12, 2026
Column The Bridge to the Self: A Personal Journey Through Cinema Saba Tsabadze April 9, 2026April 10, 2026
ColumnThe Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
ColumnThe Smashing Machine: The Many Faces of Dwayne ‘The Rock’ JohnsonOctober 17, 2025 Charlie Gaskell
EssayOne Battle After Another’s Fight in the Graveyard of the WesternOctober 15, 2025 Charlie Gaskell
EssayControl, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948)October 15, 2025 Bella Madge
ColumnHong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’October 14, 2025 Sayantani Datta
ColumnDehumanization, Fear, and Power: Unpacking Xenophobia in Scorsese’s ‘Gangs of New York’ October 14, 2025 Subhankar Das
ColumnWho Owns Nature? ‘Jugnuma’ and the Politics of Ecological MemoryOctober 9, 2025 Prerna Chatterjee
ColumnBetween Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025)October 4, 2025 Rhea Raj Shinde
ColumnThe Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global OrderOctober 3, 2025 Aryan Vyas
EssaySummer of Superman: How James Gunn’s ‘Superman’ (2025) Reminds Us of The Man of Tomorrow’s PowerOctober 2, 2025 Ollie Wheaton
ColumnA Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’October 2, 2025 Shivani Muralikrishna
The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World
Column The Performance of Toiletry: Two Bollywood Female Protagonists and Self-Expression Ahendrila Goswami January 14, 2026
Essay The Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020) Krishnanunni Padinjassery January 14, 2026
Column Transmuting Financial Ruin and Forbidden Love into Plays Fit for a Queen in ‘Shakespeare in Love’ (1998) Vasundhara Parashar January 10, 2026
Article VistaVision and Real Stunts: Why PTA’s ‘One Battle After Another’ Is the Ultimate Analog Action Movie Naveed Zahir January 27, 2026
Column How Justin Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten March 19, 2026
Article Doom Approaches? ‘Avengers: Doomsday’ and the End of the MCU as We Know It Ollie Wheaton December 29, 2025
Article Why Corporate Chaos May Be Warner Bros’ Secret Weapon at the Oscars Madiha Ali December 29, 2025
