Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor CrisisMay 11, 2026 Giovanna Ramírez
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic May 11, 2026 Krish
The Silence That Echoes: Gender, Space, and Power in Neeraj Ghaywan’s 2017 Short Film ‘Juice’ May 7, 2026 Prapti Alam
Drifting Between Worlds: Urban Space, Rural Memory, and the Sixth Generation Chinese CinemaMay 3, 2026 Sree
Column The Making of Film Language: Griffith’s Biograph Years and ‘The Painted Lady’ Sree May 2, 2026May 3, 2026
Column · Prime Video · Streaming Now Anatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of War Soumalya Chatterjee April 25, 2026April 25, 2026
Column ‘Lemonade’ at 10: A Defiant, Politically Charged Album That Still Cuts Through Aja Haymore April 25, 2026April 25, 2026
Column Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis Giovanna Ramírez May 11, 2026May 11, 2026
Column Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic Krish May 11, 2026May 11, 2026
Column The Silence That Echoes: Gender, Space, and Power in Neeraj Ghaywan’s 2017 Short Film ‘Juice’ Prapti Alam May 7, 2026May 7, 2026
ColumnThe Art, the Artist, and the Astaire: How ‘The Band Wagon’ (1953) Deconstructs Cinema’s Greatest DancerAugust 18, 2025 Jack Keating
ColumnCaste Was Never Part of My Story Until It Was: Featuring ‘Dhadak 2’ (2025)August 16, 2025 Sneha Roy
ColumnGirls Just Like to Swing! My Observations and Reflections on Mira Nair’s ‘India Cabaret’ August 15, 2025 Nayan Jain
ColumnThe Real Rage Virus: 28 Years Later and Dreams of Nationalist NostalgiaAugust 15, 2025 Dan Flattery
ColumnWeapons of the American Dream: How Zach Cregger’s Weapons (2025) Reflects Today’s RealityAugust 13, 2025 Deepshikha Deb
ColumnCinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Paris August 7, 2025 Naman Kumar
ColumnThe Return of ‘Chaotic Women’ in Indian Independent Cinema August 6, 2025 Bipasha Bhattacharyya
EssayThe Rajinikanth Effect: How Thalaivar’s Meteoric Charm Forged A Cultural PhenomenonAugust 5, 2025 Anju Devadas
ColumnThe Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
EssayBeyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema July 31, 2025 Anju Devadas
Springing Toward An Uncertain Future: How ‘The Devil Wears Prada 2’ Portrays The Digital Age And Its Effects on the Labor Crisis
Revisiting ‘Manichitrathazhu’ (1993): Caste, Psychiatry, and the Cultural Blind Spots of a Malayalam Classic
Essay Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’ Nileena Sunil December 25, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 24, 2025
Column ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 24, 2025
Article Better Than a ‘Hot Priest’: Why Josh O’Connor’s Flawed, Cursing Clergyman is a Radical Political Statement Naveed Zahir December 23, 2025
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 21, 2025
Essay Harmony as Auteurism: Understanding the Impact of Director-Composer Collaborations Eshiv Garg December 21, 2025
Column Shared Guilt and Divergent Fates: Why ‘Dies Irae’ Feels Like Psycho’s Distant Cousin Gourab Saha December 21, 2025
Column Frankenstein Reborn: Del Toro’s Gothic Dream of Sight, Soul, and Salvation Shivani Muralikrishna December 21, 2025
Article Hollywood Audiences are Done with Capes and are Hungry for Character Kay A. Oliver April 21, 2026