Fantasia · Featured · Film Festivals · Review Foreigner (2025) ‘Fantasia’ Movie Review: A Slight Genre Affair that Feels Like a Cross Between ‘Mean Girls’ and ‘Get Out’ Akash Deshpande July 29, 2025 Featured · Review Site (2025) Movie Review: A Slow-Burn Descent Into Madness Debopriyaa Dutta August 1, 2025 Evergreen List · Featured 8 Best Rajkummar Rao Movie Performances, Ranked Soumalya Chatterjee July 31, 2025 Evergreen Lists See More… 8 Best Rajkummar Rao Movie Performances, RankedJuly 31, 2025 Soumalya ChatterjeeThe 10 Best Hrishikesh Mukherjee MoviesJuly 30, 2025 Shoma ChatterjiThe 10 Best Indian Films of All Time As Chosen By FIPRESCI-INDIAJuly 26, 2025 Shoma Chatterji Reviews See More… Fantasia · Featured · Film Festivals · Review Foreigner (2025) ‘Fantasia’ Movie Review: A Slight Genre Affair that Feels Like a Cross Between ‘Mean Girls’ and ‘Get Out’ Akash Deshpande July 29, 2025 Featured · Review Site (2025) Movie Review: A Slow-Burn Descent Into Madness Debopriyaa Dutta August 1, 2025 Featured · Films This Week · Review Omniscient Reader: The Prophecy (2025) Movie Review: An uninspired and self-indulgent mess that fails to carve an identity of its own Shikhar Verma July 31, 2025 Essays See More… Essay Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema Anju Devadas July 31, 2025 Column Why do all the Contemporary Villains Sound Like They’ve Read Camus? Bipasha Bhattacharyya July 30, 2025 Column Of Guns and Guilt: The Postmodern Antihero and His Mirror Subhashree Paul July 30, 2025 Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhan’s Pokkuveyil (1982, Twilight) Rugmini Dinu July 30, 2025 Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas July 28, 2025 Column The Horror of the Unseen: How the 1999 Movie ‘The Blair Witch Project’ Redefined Fear Em Stonham July 24, 2025 All Posts Netflix · Review · Streaming Now · TVThe Woman in the House Across the Street from the Girl in the Window [2022] ‘Netflix’ Review: It Goes Downhill RapidlyRead More The Woman in the House Across the Street from the Girl in the Window [2022] ‘Netflix’ Review: It Goes Downhill RapidlyFilm Festivals · Review · RotterdamHawk’s Muffin [2022]: ‘IFFR’ Review – A Metaphor for Perpetual Human Conflict Enveloped in Dystopian Science-FictionRead More Hawk’s Muffin [2022]: ‘IFFR’ Review – A Metaphor for Perpetual Human Conflict Enveloped in Dystopian Science-FictionReview · VODLa Soga Salvation [2022] Review: A Confusing Film, Violent for No Good ReasonRead More La Soga Salvation [2022] Review: A Confusing Film, Violent for No Good ReasonFilm Festivals · Review · SlamdanceHannah Ha Ha [2022]: ‘Slamdance’ Review : A quietly observant film on living off the grid never really takes offRead More Hannah Ha Ha [2022]: ‘Slamdance’ Review : A quietly observant film on living off the grid never really takes offNetflix · ReviewNeymar: The Perfect Chaos [2022] ‘Netflix’ Review: It Will Come Across as The Perfect DisappointmentRead More Neymar: The Perfect Chaos [2022] ‘Netflix’ Review: It Will Come Across as The Perfect DisappointmentFilm Festivals · Review · SlamdanceWe are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienationRead More We are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienationFilm Festivals · Review · SlamdanceTherapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feebleRead More Therapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feebleFilm Festivals · Review · SlamdanceBe Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturingRead More Be Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturingFilm Festivals · Review · SundanceDual [2022]: ‘Sundance’ Review – A pitch-black dark comedy where capitalism is the killerRead More Dual [2022]: ‘Sundance’ Review – A pitch-black dark comedy where capitalism is the killerFilm Festivals · Review · SundanceSundance 2022: “Nanny,” “Emily the Criminal,” & “Honk for Jesus Save Your Soul”Read More Sundance 2022: “Nanny,” “Emily the Criminal,” & “Honk for Jesus Save Your Soul” Posts pagination Previous Page 1 … 937 938 939 940 941 942 943 … 1,210 Next Page Categories ReviewsEvergreen ListNewsStreamingFilm FestivalColumn Follow Us Instagram LinkedIn X Facebook YouTube Spotify Pinterest
Fantasia · Featured · Film Festivals · Review Foreigner (2025) ‘Fantasia’ Movie Review: A Slight Genre Affair that Feels Like a Cross Between ‘Mean Girls’ and ‘Get Out’ Akash Deshpande July 29, 2025
Featured · Review Site (2025) Movie Review: A Slow-Burn Descent Into Madness Debopriyaa Dutta August 1, 2025
Evergreen List · Featured 8 Best Rajkummar Rao Movie Performances, Ranked Soumalya Chatterjee July 31, 2025
Fantasia · Featured · Film Festivals · Review Foreigner (2025) ‘Fantasia’ Movie Review: A Slight Genre Affair that Feels Like a Cross Between ‘Mean Girls’ and ‘Get Out’ Akash Deshpande July 29, 2025
Featured · Review Site (2025) Movie Review: A Slow-Burn Descent Into Madness Debopriyaa Dutta August 1, 2025
Featured · Films This Week · Review Omniscient Reader: The Prophecy (2025) Movie Review: An uninspired and self-indulgent mess that fails to carve an identity of its own Shikhar Verma July 31, 2025
Essay Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema Anju Devadas July 31, 2025
Column Why do all the Contemporary Villains Sound Like They’ve Read Camus? Bipasha Bhattacharyya July 30, 2025
Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhan’s Pokkuveyil (1982, Twilight) Rugmini Dinu July 30, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas July 28, 2025
Column The Horror of the Unseen: How the 1999 Movie ‘The Blair Witch Project’ Redefined Fear Em Stonham July 24, 2025
Netflix · Review · Streaming Now · TVThe Woman in the House Across the Street from the Girl in the Window [2022] ‘Netflix’ Review: It Goes Downhill RapidlyRead More The Woman in the House Across the Street from the Girl in the Window [2022] ‘Netflix’ Review: It Goes Downhill Rapidly
Film Festivals · Review · RotterdamHawk’s Muffin [2022]: ‘IFFR’ Review – A Metaphor for Perpetual Human Conflict Enveloped in Dystopian Science-FictionRead More Hawk’s Muffin [2022]: ‘IFFR’ Review – A Metaphor for Perpetual Human Conflict Enveloped in Dystopian Science-Fiction
Review · VODLa Soga Salvation [2022] Review: A Confusing Film, Violent for No Good ReasonRead More La Soga Salvation [2022] Review: A Confusing Film, Violent for No Good Reason
Film Festivals · Review · SlamdanceHannah Ha Ha [2022]: ‘Slamdance’ Review : A quietly observant film on living off the grid never really takes offRead More Hannah Ha Ha [2022]: ‘Slamdance’ Review : A quietly observant film on living off the grid never really takes off
Netflix · ReviewNeymar: The Perfect Chaos [2022] ‘Netflix’ Review: It Will Come Across as The Perfect DisappointmentRead More Neymar: The Perfect Chaos [2022] ‘Netflix’ Review: It Will Come Across as The Perfect Disappointment
Film Festivals · Review · SlamdanceWe are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienationRead More We are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienation
Film Festivals · Review · SlamdanceTherapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feebleRead More Therapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feeble
Film Festivals · Review · SlamdanceBe Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturingRead More Be Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturing
Film Festivals · Review · SundanceDual [2022]: ‘Sundance’ Review – A pitch-black dark comedy where capitalism is the killerRead More Dual [2022]: ‘Sundance’ Review – A pitch-black dark comedy where capitalism is the killer
Film Festivals · Review · SundanceSundance 2022: “Nanny,” “Emily the Criminal,” & “Honk for Jesus Save Your Soul”Read More Sundance 2022: “Nanny,” “Emily the Criminal,” & “Honk for Jesus Save Your Soul”
