Christmas as Usual (2023) ‘Netflix’ Movie Review: Kanan Gill is Delightful in this Fairly Conventional Rom-Com
Culture clashes can be a source of intriguing drama. So, it’s no wonder that storytellers are often drawn to such…
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Film Festivals | MAMI | Review
Kennedy (2023) ‘MAMI’ Review – A Masked Killer Lurks in the Corrupted Streets of Mumbai
In the years of the COVID pandemic, India’s authoritarian government(s) saw an opportunity to crack down further on people’s democratic…
The Coast of Winding Clouds And The Cinema of Rain: Nagraj Manjule’s ‘Pavsacha Nibandh’
Pavsacha Nibandh (2020): Whining about the long day, the characters of Life sat around a fire, pulling out a quilt…
K. G. George and the Craft of Flashback
If there is one diegetic device that film viewers associate with K. G. George, the renowned Indian director of Malayalam…
Khufiya (2023) ‘Netflix’ Movie Review: Weighed Down by Its Half-heartedly Executed Layers
Vishal Bharadwaj’s straight-to-Netflix ‘Khufiya’ seems to have the winning formula. Based on the spy novel “Escape to Nowhere” by Amar…
The Rainbow Shades in ‘Guns and Gulaabs’: A Critique on the Show’s Representation of Queer Identity
With the recent release of the second seasons of ‘Heartstopper‘ and ‘Made in Heaven‘ and the bubbly gay romantic film…
My Name is Khan, And I Know It: Shah Rukh And What Else?
You may say it’s blasphemy, blame it on the hype, or even call it the Bebo ‘Guts’! But why Shah…
Jawan (2023) Movie Review: Atlee in Theri-fic form as SRK nails his woke-bae avatar in this anti-capitalist masala cocaine copaganda
At a cursory glance, “Jawan” is your regular Caligulan ode to the South Indian ‘proletariat strikes back’ action drama genre….
The Coexistence of Love and Violence in ‘Guns & Gulaabs’
The Coexistence of Love and Violence in ‘Guns & Gulaabs’: Love and Violence are the two most essential ingredients of…