Freedom Fight [2022] SonyLIV Review: A deeply affecting Anthology about the Concept of Freedom
While watching ‘Freedom Fight’, one thing that I kept noticing was how unorthodox the choices of narration that the makers…
While watching ‘Freedom Fight’, one thing that I kept noticing was how unorthodox the choices of narration that the makers…
A Nuanced Portrayal of Queerness in Badhaai Do (2022): Bollywood hasn’t been a fertile hotbed for exploring queer characters in…
Sony Liv’s newest offering Rocket Boys (2022), directed by Abhay Pannu, tells the story of the two dynamically different, yet…
Adh Chanani Raat IFFR Review: In the final instalment of Gurvinder Singh’s Punjab trilogy, an eponymous adaptation of Gurdial Singh’s…
Time-loop, or as we call it in cinema ‘the-groundhog-day-effect’ is now as old as time itself. The two decades since…
It’s difficult to point out the exact moment when Indian comedies became unrelatable. For example, around a decade ago, we…
As illustrated by a rhyme written by Vaikom Muhammad Basheer, a writer of Malayalam literature, with which the film opens,…
The third round of our Sundance coverage features Riley Stearns’ Dual, Shaunak Sen’s All That Breathes & Andrew Semans’ Resurrection:…
“As Delhi’s air changed, so did its metabolism”, one of the brother’s remarks in voiceover early on in Shaunak Sen’s All That…