Paava Kadhaigal [2020] Netflix – Sinful Filmmaking under the Garb of Hard-Hitting Social Drama
Following the anthology series Lust Stories (2018) and Ghost Stories (2020), Netflix offers its third anthology in the stories series,…
Following the anthology series Lust Stories (2018) and Ghost Stories (2020), Netflix offers its third anthology in the stories series,…
Michael Apted’s Thunderheart (1992) is a glossy yet captivating Hollywood production to deal with the plight of Native Americans, relocated…
In one of the early scenes of Rajen Kothari and Dayal Nihalani’s Das Capital (2020) (Gulamon ki Rajdhani), Purushottam Ram…
Hoosier is the nickname for someone who is born in Indiana or a resident of this particular U.S. state. David…
Shehnai = Ustad Bismillah Khan; for anyone who is even remotely aware of Indian classical music. Both the Indian wind…
‘Kaali Khuhi’ is another addition, the second of the year following Anvita Dutt’s Bulbbul, to the new wave of Indian…
“Phir koi pul hai kya? Lagta hai pul hi hai…(Is it a bridge again? I guess it is…)” This is…
Revisiting Shyam Benegal’s Welcome to Sajjanpur now made me realize how this 2008 sleeper hit had all the tropes of…
It’s tricky to express one’s views on Ajay Bahl’s Section 375 (2019) without giving anything away. However, I shall try…