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Brian and Charles [2022]: ‘Sundance’ Review – A feel-good, uber-cute robot comedy about companionship

ByShikhar Verma January 24, 2022January 25, 2022

In a strange new addition to the ‘using-a-robot-for-personal-purposes’ cinematic universe, Brian and Charles might be too sweet to really matter….

Article | Essay

ByBalachandran Chirammal January 23, 2022January 24, 2022

For the past two decades, world cinema has been mostly discussing Romanian cinema. Romanian films are exhibited at film festivals…

ByHigh on Films January 23, 2022

The third round of our Sundance coverage features Riley Stearns’ Dual, Shaunak Sen’s All That Breathes & Andrew Semans’ Resurrection:…

ByShashwat Sisodiya January 23, 2022

Tragedies are impossible to dismiss. In 2020, the release of Bollywood actor Sushant Singh Rajput’s film Dil Bechara followed his…

ByHigh on Films January 23, 2022January 23, 2022

The second round of our Sundance coverage features Abi Damaris Corbin’s 892, Kogonada’s After Yang, & Ed Perkins’ The Princess:…

ByDebanjan Dhar January 23, 2022January 12, 2022

Beneath its plea for free expression in a country choked by repressions, Rita Baghdadi’s film Sirens, premiering in the World…

ByShikhar Verma January 22, 2022

There are movies that talk of racism and then there are some that just shut the door on your face…

ByDebanjan Dhar January 22, 2022January 22, 2022

“As Delhi’s air changed, so did its metabolism”, one of the brother’s remarks in voiceover early on in Shaunak Sen’s All That…

ByDebanjan Dhar January 22, 2022January 21, 2022

Riotsville USA, premiering at Sundance in the ‘Next’ section this year, relies on archival footage drawn from the broadcast television…