The Films of the Panorama and World Vision at the 11th Duhok International Film Festival Were Introduced
The films of the Kurdish Panorama and World Vision sections were introduced at the 11th edition of the Duhok International…
High On Films
The films of the Kurdish Panorama and World Vision sections were introduced at the 11th edition of the Duhok International…
When the Phone Rings is a gripping new Kdrama that’s captured the attention of global audiences with its unique premise,…
For many of us, the war in Ukraine seized our attention with the 2022 invasion, but for Ukrainians, warfare has…
Luuk Bouwman’s doc, “The Propagandist” is all about projection and hiding. It’s a convenient schematic arrangement of facts and fiction,…
The genealogical tracing of a community, or even the discovery of a community as a result of colonization and slavery…
Luca Guadagnino is a treasured specimen in the current landscape of arthouse cinema. He is one of the increasingly rare…
A few minutes into Johannes Grenzfurthner’s “Solvent,” we are privy to a dilapidated Austrian farmhouse belonging to one Wolfgang Zinggl,…
Misha Vallejo Prut’s “Light Memories” circles an act of searching. Misha never got to know of his grandfather. Many reserves…
William Hart’s “Lead & Copper” (2024) narrates the recent public history of Flint City in Michigan. It’s set against the…