Culture of the Mad, Sad and Crass: The Asian Filmmakers Who Owned It
Culture of the Mad, Sad and Crass – The Asian Filmmakers Who Owned It: The inane has an inimitable place…
Culture of the Mad, Sad and Crass – The Asian Filmmakers Who Owned It: The inane has an inimitable place…
The Church of Jesus Christ of Latter-day Saints (LDS) – commonly referred to as the Mormon Church – has a…
From his origins as a writer for Saturday Night Live, including a three-season run as head writer in the late…
Unless you live under a rock or absolutely hate the sci-fi, action sub-genre, you must have come across at least…
Described as a “cathartic movement film”, The Severing left me with a clutch of thoughts that became increasingly pitted against…
The Killer (1989) Review: Chow Yun Fat’s character, Ah Jong, is an extremely skilled professional hitman. He engages in a…
In a strange new addition to the ‘using-a-robot-for-personal-purposes’ cinematic universe, Brian and Charles might be too sweet to really matter….
Why A Hero (2021) is Farhadi’s Close-Up; An Analysis of Farhadi’s Filmmaking Mechanics!: The world is a culmination of conflicts….
When the two-time Oscar winner Asghar Farhadi comes out with a new film, it is bound to stir a storm…