The 50 Best Films Of 2020
2020 will be remembered as the year where we never went to the movies. Plagued by the Cornovirus threat, the…
2020 will be remembered as the year where we never went to the movies. Plagued by the Cornovirus threat, the…
This is My Desire (Eyimofe) Review: Three women walk into a home. A child, who is blowing bubbles, opens the…
Right from its premier in April 2021, the latest TVF series ‘Aspirants’ has garnered a lot of brouhaha from the…
Mental illness is a recurring topic within film. It can be used to explore timely issues in society (where 1…
Chloé Zhao’s Nomadland, based on the non-fiction book by Jessica Bruder, is on the road to become a modern classic….
There’s a certain bias against genre films when it comes to film festivals and general critical acclaim – and rightly…
In the last ten years, with an impressive number of films striving to tackle new concerns and establishing new…
****Warning: Spoilers*** Critics and viewers alike are hailing the 2021 movie Nayattu, directed by Martin Prakkat, as a bold step…
Cannes 2020 selected Déa Kulumbegashvili’s ‘Beginning’ (Dastaskisi) was supposed to play in competition along with Wes Anderson’s ‘The French Dispatch.’ While the former had a drip-drip-drip release since September, I assume nobody but Anderson has seen the latter. Cannes, for its glory, selected Steve McQueen’s ‘Mangrove’ and ‘Lovers Rock’ to play in the competition. They picked Nir Bergman’s ‘Here We Are’ and Francis Lee’s ‘Ammonite,’ too. My money, however, would have been on ‘Beginning’ to be the next ‘Parasite’.