2018: Revising the Revisionist Western – The Sisters Brothers, The Ballad of Buster Scruggs & Damsel
To really understand the Western genre, one needs to trail back to the lands of how usual westerns were made….
To really understand the Western genre, one needs to trail back to the lands of how usual westerns were made….
From the director of All Is Lost & A Most Violent Year, Triple Frontier presents J.C. Chandor tackling yet another…
Here are the 10 films that made it to our 12th edition of our ‘HOF-Men Recommend’ Series. You can check…
The sophomore feature film of cinematographer turned director, Alexandre Lehmann’s “Paddleton” is brimming with bittersweet and poignant moments and deadpan…
Acknowledging the neurodiverse members of society has often been seen through the lense of ignorance and neglect. Having said that,…
There’s a beautiful sequence mid-way into Gully Boy where Murad (Ranveer) and Safeena (Alia Bhatt) have an argument for the…
The question is not whether I like Roma or not. The question is- am I even allowed to dislike it? How can I possibly say anything bad about Guillermo del Toro’s favorite film of all time? Moviegoers are under tremendous pressure to appreciate Roma.
As curious as its production is, this odd film and its pieced-together piecemeal nature is perfectly suited for a service like Netflix, where you don’t have to take the film in its entirety, but drop in and out at whichever point you please – you’re bound to land on some sly sardonic humour that’s permeated with the stench of cigar smoke and whiskey.
For a biopic so trite, formulaic & mediocre, Bohemian Rhapsody (2018) sure goes out on a triumphant high. Powered by…