Kazuhiko Hasegawa’s The Man Who Stole the Sun (Taiyo wo nusunda otoko, 1979) is riddled with the anarchic spirit of the Japanese New Wave that it would evoke divisive reactions from its…

Kazuhiko Hasegawa’s The Man Who Stole the Sun (Taiyo wo nusunda otoko, 1979) is riddled with the anarchic spirit of the Japanese New Wave that it would evoke divisive reactions from its…
Steve McQueen made the Oscar-winning film ’12 Years a Slave,’ but did not win one for directing it. He is, however, the first Black filmmaker to win Best Picture. ‘Small Axe,’ an…
After the remarkable success of Halloween, John Carpenter returned to the small screen to try his hand at a new genre, this time a biopic. Bringing the life of the King of…
The vision of chaotic evil and violent nihilism in “Vengeance is Mine” discomfits a viewer like no other film in the cinematic history. Iwao Enokizu isn’t condemned nor his murderous activities elevated to a myth, and even the society that created him isn’t bluntly blamed. What we gaze at is a pure, dark, subversive force that offers no meaning.