Film Festivals · Review Panopticon (2024) ‘Karlovy Vary’ Movie Review: Data Chachua is an Extraordinary Discovery in the Prickly Coming-Of-Age Portrait Debanjan Dhar March 2, 2025
Film Festivals · Review Ascension (2023) ‘KISFF’ Short Film Review: Ascension is the first anti-clerical Georgian short film by Giorgi Tavartkiladze Levan Tskhovrebadze July 10, 2024
Interview Interview With Giorgi Tavartkiladze: Director, “Ascension” Levan Tskhovrebadze December 11, 2023
Film Festivals · Review Blackbird Blackbird Blackberry (2023) ‘Sarajevo Film Festival’ Movie Review: A spare, sensuously vital portrait of self-discovery Debanjan Dhar August 16, 2023
Article · Essay Beginning (2020): Dissent Against the Logic of Patriarchal Order Levan Tskhovrebadze September 1, 2021
Film Festivals · Review · Tribeca Tribeca 2021: “No Future,” “Brighton 4th,” & “Perfume De Gardenias” Shikhar Verma June 22, 2021
Film Festivals · Review · Tribeca Brighton 4th [2021]: ‘Tribeca’ Review – The journey of an ex-wrestler is a poignant and funny father-son story Amartya Acharya June 16, 2021
Film Festivals · Review · TIFF Comets (2019): ‘TIFF’ Review – Of Memories & torrid Affair Nafees Ahmed February 22, 2021
Film Festivals · Review · Venice Film Festival The Criminal Man (Borotmokmedi) [2019]: ‘Venice’ Review – Making A Murderer Nafees Ahmed March 31, 2020
![Brighton 4th [2021]: ‘Tribeca’ Review – The journey of an ex-wrestler is a poignant and funny father-son story](https://www.highonfilms.com/wp-content/uploads/2021/06/Brighton-4th-highonfilms-1-768x432.jpg)
![The Criminal Man (Borotmokmedi) [2019]: ‘Venice’ Review – Making A Murderer](https://www.highonfilms.com/wp-content/uploads/2019/09/borotmokmedi-The-Criminal-Mind-2019-Venice-768x512.jpg)