Column The Political Subtext of Govind Nihalani’s 1984 Satire ‘Party’ Is More Relevant Now Than Ever Shikhar Verma September 11, 2024
Column Sai Paranjpye’s ‘Katha’ tells us that inherent goodness doesn’t win the race anymore Shikhar Verma March 18, 2024
Column The Begetter of Movement: The Case of Sudha’s Husband in ‘Ijaazat’ (1987) Damayanti Ghosh March 14, 2024
Column The Bombay Textile Mill Strikes and the Economy of the Anti-National in Saeed Akhtar Mirza’s ‘Albert Pinto Ko Gussa Kyon Aata Hai?’ (1980) Pritha Banerjee February 18, 2024
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Review Kuttey (2023) Review: A nonsensically misplaced loud thriller that fails at echoing the promises that once shaped the landscape of mainstream Hindi cinema Aryan Vyas July 14, 2023
