Vittorio De Sica’s neorealist masterpiece, Bicycle Thieves (1948) opens in front of a freshly reconstructed government building with a crowd of city’s skilled yet unemployed laborers. The story’s central character after getting…
Tag: Sergio Amidei
Film-maker and screenwriter Paul Schrader in his remarkable introduction essay to the new edition of his seminal film theory text, ‘Trascendental Style in Film’, asserts that: “Roberto Rossellini deserves a special mention…
